Introduce Yourself

Hi, Fida Tareen. Welcome to the community. Hope you're doing great! Stage 32 has a blog that'll help you navigate the platform and connect with creatives and industry professionals all over the world. Directors, producers, executives, screenwriters, and more. www.stage32.com/blog/how-to-successfully-navigate-the-stage-32-platform-...

Stage 32's next Community Open House is Dec 29th (www.stage32.com/education/products/stage-32-s-december-community-open-ho...). It's free to attend. It'll also help you navigate Stage 32 and connect with creatives and industry pros.

Reach out to the Success Team at success@stage32.com. Geoff and his team can help you connect with producers, executives, and more.

You're right, Shadow Dragu-Mihai, Esq., Ipg. The main purpose of the Pitch Sessions is to get feedback to improve a pitch, but sometimes the executives, managers, etc. will request scripts, sign writers, etc. (www.stage32.com/scriptservices/success-stories).

Maurice Vaughan Which is fine to say for S32 as a social media platform, but the producers, if they receive compensation, can be tagged with pay-to-play and that ruins careers in this industry. So best to make it clear (which the advertising does),

How do I reach out to the producers directly?

Hi Savannah and welcome to Stage 32. I can see you're wanting to talk to filmmakers directly. I get that. And I understand the passion too. Trust me.

But the reality is that you're where you need to be. You can't really just talk to producers or directors about business directly and unsolicited. That's not how it works. But see, here you have the education side. But the lounges are for networking.

Networking is how people start seeing your name. And you don't really want to spam post about needing to talk to someone.

Post about how your cat inspired a funny scene.

Post about finding 17 out of place question marks in your pages.

Post about writing struggles, wins, craft talk. Post about how that one time some friend or family member inspired you. Or broke you.

My point is, the film industry is a business but it isn't so cut and dry as civi business. It's a bit more personal because it's art. So, we too have to be more personal.

So, get into the lounge spaces. Post. Talk. Chit chat. Trust me, you have no idea who you might be chit chatting with. Most of the time I don't until it dawns on me way after the fact. And I know folks hate hearing me yap about networking when they first get here, but it's the truth of the matter.

One conversation can change things. Just one.

Savannah Cross make a nice Linkedin account and follow the right filmmakers/producers/directors - join the discussion, research, contribute - get into business. harder; find a manager or agent. besides all that keep writing if that's your passion. than your doing it and be sure to have a little luck.

Hi, Rakim Stevens! How's your December going?

it’s going well. How about yourself?

It's going well too, Rakim Stevens. Do you have any plans for the holidays?

Hey

James LO Hello James,

Thank you for your message. If you’d like, I can send you the synopsis directly in a private message.

And if you need any additional information about the project, please don’t hesitate to ask — I’d be happy to provide anything you need.

— Eve

Nice, Eve Decoeur! This looks like a really cool story. I love assassin thrillers. I look forward to seeing this one made someday!

Hi Eve and welcome to Stage 32! I see you've had the welcome banner so I won't bombard, but I wanted to say hello. If you need anything, don't hesitate to reach out. And if you need help finding resources or have any questions, don't hesitate to reach out.

Elle Bolan

Hi Ellen, Thank you so much for the warm welcome — I really appreciate it.

If I ever need guidance or help finding resources, I’ll make sure to reach out.

And likewise, if you ever want to connect or talk about writing, storytelling, or projects, I’d be happy to.

Thanks again for taking the time to say hello.

— Eve

Thanks

You're welcome, Hassan AL Mahfoud. What genre(s) do you want to write?

I love to write in more than one, History, Drama, but mostly science fiction.

Hi Hassan! Nice to meet you and welcome to Stage 32!

I write in different genres too, Hassan AL Mahfoud. Action, Horror, Sci-Fi, etc. What's one of your favorite Sci-Fi movie or show?

Thanks, Maurice Vaughan . That’s great to know. I’m looking forward to attending and participating.

You're welcome, Ulduz Karayeva. Hope you have a great week!

that's great Ulduz Karayeva - I see you're in the Writer's Room. If you haven't worked your pitch on Thursdays with out wonderful pitch prep guides, definitely do - then, as Maurice mentioned, start pitching it to targeted companies for this project. And Geoff's team can certainly help you curate.

I was born and raised in Dracula's country :) so I'm a fan already lol

Thank you so much for this Sebastian Tudores , I really appreciate it. Yes, I’m in the Writer’s Room and will definitely take advantage of the Thursday pitch prep sessions. And that’s amazing — being from Dracula’s country makes this even more special

Hi and welcome to Stage 32! It's great to meet you and I look forward to seeing you around the lounges.

Hi, Rich Terdoslavich. Happy Holidays! Do you have any plans for the holidays?

Whitney! thank you for all the amazing work you do with the Stage 32 community. Your expertise is valued and we’re glad to have you here!

Thank you for this powerful and generous post, Whitney Davis! Your passion for storytelling and championing bold, lived-in voices is truly inspiring, and I know so many Stage 32 members have gained invaluable insight from your pitches and consultations.

We’re incredibly grateful to have you sharing your wisdom and experience with the community, your encouragement to take action and build even while the industry is shifting is exactly what so many creatives need to hear right now. Thank you for being such a vital part of the Stage 32 ecosystem!

It’s fun seeing how one word inspires so many creative thoughts. I also spend some time on Chicken Road where I just enjoy simple games. Reading and gaming both help me relax.

I have a lot of screenplays. Careful what you wish for Whitney Davis :) :) :) Thank you for being supportive and inclusive!

Love anybody who wants to empower and reward voices who deserve to be heard but otherwise wouldn't have been. Keep the great work, you a hero Ms.Davis!

Hi, Mercy Jane Porquez Ballesteros. I’m a Stage 32 Lounge Moderator. I wanted to let you know that I moved your post from the Screenwriting Lounge to the Introduce Yourself Lounge since you're introducing yourself and promoting your script. Let me know if you have any questions.

thriller is my favourite genre

That story premise sounds very cool Mercy Jane Porquez Ballesteros! I'd watch that.

Sounds awesome!!

oooof Mercy Jane Porquez Ballesteros - I got stressed out for her just from reading the premise! well done :)

Hi, Michele Sandretto. Welcome to the community. Hope you're having a great December! Stage 32 has a blog that'll help you navigate the platform and connect with creatives and industry professionals all over the world. Writers, producers, directors, executives, and more. www.stage32.com/blog/how-to-successfully-navigate-the-stage-32-platform-...

Stage 32's November Community Open House was last Tuesday. It'll help you navigate Stage 32 and connect with creatives and industry pros. The recording is up now. It's free to watch. www.stage32.com/education/products/stage-32-s-november-community-open-ho...

Creekbound sounds interesting! I like the title! "...a hidden, kid-run treehouse complex in the woods and gets caught between rival factions." Are there different treehouse complexes?

Hi Maurice, thanks so much for the warm welcome and for the links. I’ll definitely check out the blog and the Community Open House replay.

In Creekbound there’s actually just one main hidden treehouse complex, that’s the heart of the show. The rival factions each have their own bases scattered around the surrounding woods (more like improvised camps, hideouts, old structures, etc.), so the story shifts between the central complex and these different territories.

Really appreciate you taking an interest in the project!

You're welcome, Michele Sandretto. I really like that! I can't wait to watch Creekbound!

You could make a collaboration post for co-writers on the Job Board (www.stage32.com/find-jobs).

The title is perfect! As someone who loves diving into the Gen Z psyche, this feels essential. It’s like SKAM France meets REALITY +

Thanks for asking.

FILTERED FOR LIFE is a sci-fi thriller with dark comedy elements, set in a near future where facial filters become permanently stuck after a global tech glitch. Society collapses because nobody can recognize anyone anymore from law enforcement to family, relationships, work, and identity itself.

As chaos grows, a group of teenagers tries to uncover the origin of the malfunction and quickly realizes the filters were never just cosmetic they were a control system.

The show explores themes like authenticity, technology addiction, social masks, and identity, while keeping a grounded and satirical tone.

The project is already fully written and protected (script + series bible registered), and I’m now looking for development and production partners.

If you’d like, I’d be happy to send the logline or arrange a short pitch.

Thanks again for reaching out.

Yeshua

Maurice Vaughan

You're welcome, Yeshua Manéré. FILTERED FOR LIFE sounds interesting and really unique! What hooked me was "set in a near future where facial filters become permanently stuck after a global tech glitch. Society collapses because nobody can recognize anyone anymore from law enforcement to family, relationships, work, and identity itself."

You could post your logline in the comments. That way, I can give you feedback on it (and other members if they want) and producers, directors, executives, etc. can see your logline.

Thanks Maurice Vaughan ! Here's the full pitch:

FILTERED FOR LIFE – A global tech glitch permanently attaches AR filters to people's faces. Society collapses when no one can recognize anyone anymore, not law enforcement, not families, not even themselves. Four teenagers discover the filters were never cosmetic... they were a control system.

FORMAT: 10 episodes × 30 minutes

GENRE: Dark sci-fi comedy / Satire

VIBE: Black Mirror meets Upload meets Don't Look Up

TARGET: 13-35 years old / International audience

AVAILABLE IN ENGLISH:

✓ Pilot script (Episode 1: "The World Is Beautiful Until 2:32 PM")

✓ Pitch deck (2 pages)

✓ Director's statement

✓ Original soundtrack (opening theme + 4 songs)

✓ 4K teaser trailer

✓ Legally protected (SACD registration in progress)

WHAT'S WRITTEN (in French, translation available upon request):

• Full season (10 episodes scripted)

• Complete series bible (50 pages)

• Character arcs, world-building, thematic breakdown

WHY THIS SHOW NOW:

We live in a world obsessed with appearance. This series explores what happens when the mask becomes permanent, when technology meant to enhance us becomes our prison, and when society realizes the filters were never about beauty, they were about control.

WHAT MAKES IT UNIQUE:

• Grounded sci-fi (credible 5G tech premise from a former telecom technician)

• Four teens outsmart adults and governments

• Moral dilemmas with no easy answers

• Dark comedy that doesn't shy away from consequences

• A community that REFUSES to go back to "normal"

I'm currently seeking development and production partners.

Full logline and materials: https://www.stage32.com/loglines/69239

Series bible available in French (English translation upon request).

Would love to discuss further if this resonates with you!

You're welcome, @Yeshua. I think your logline could be tightened up some, and I suggest adding the teens' goal to your logline.

Here’s a logline template that might help: After/when ______ (the inciting incident/event that sets the plot in motion), a _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s job/career/role) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes).

The inciting incident can also be at the end of the logline: A _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s job/career/role) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes) after/when ______ (the inciting incident/event that sets the plot in motion).

Loglines are one or two sentences. A one-sentence logline sounds better, and it takes less time for a producer, director, etc. to read it. Try to keep your logline to 35 words or less. Long loglines can make producers, directors, etc. pass on a project.

Avoid using “must” in loglines. “Must” usually means the protagonist is forced to do whatever they need to do in the story instead of doing it willingly. You might need to use “must” in a logline though, like when the protagonist is forced by another character to do something. Using “must” to choose between two options is fine.

Names in loglines are usually for biopics, well-known stories, and franchises (like Mission: Impossible).

Sometimes I put the location and date that the story takes place in instead of the inciting incident if it’s a Period Piece script.

All stories don’t follow this logline template. Biopics, documentaries, and Experimental scripts might not follow the template. The series logline for a TV show can follow this template, but the pilot logline and episode loglines for the show might not.

Thanks for the introduction!

R

Rodgers Wilson You're welcome. Hope you'll come to one of our virtual drop ins!

Hi everyone. My name is Mukesh Parikh. I am writer and Producer. My short went on Cannes on the American pavilion. Currently in pre-production of international Musical drama feature based on true events with Grammy winners. Cast and crew on board. Hunting for Executive producers/co pro/equity partners. I am also working on 2 more projects one of them an action/dark comedy. Excited, passionate and super blessed to be with you ALL.

Mukesh Parikh Welcome Mukesh!

We have our weekly Tuesday drop in on December 9, at 2pm Pacific, on google meet.

Tuesday, December 9 · 2:00 – 3:00pm

Time zone: America/Los_Angeles

Google Meet joining info

Video call link: https://meet.google.com/etf-cdxy-jpiOr dial: ‪(US) +1 407-986-7174‬ PIN: ‪106 966 557‬#

More phone numbers: https://tel.meet/etf-cdxy-jpi?pin=1591965138351