I moved to Louisville from DC many years ago, and like most, I had some preconceived notions about Kentucky (c'mon... You've all heard the jokes). However, nestled along the Ohio River, Metro Louisville is a brilliant city with unique southern charm, and nearly every amenity you could ask for... Even if you're shooting a movie!
Yes, that's right... Louisville was recently voted one of the top 25 cities in America to live and work as a filmmaker. We have a bustling film community, our professional resources are growing by leaps and bounds, and our professional crews have helped usher in some of the best movies of the last decade (Dead Man's Wire, Killers of the Flower Moon, Beauty Mark, to name a few). Our locations are extremely diverse (rolling hills, mountains, farmland, big cityscapes, caverns, and ancient cave systems, and you can get here from almost anywhere in under a day. Plus, you can still buy a house without severing limbs or giving away your firstborn child.
And then... there's the tax incentive program. With $70M set aside by the State Assembly to entice filmmakers to produce films in KY (rumors of an increase for 2027), and up to 35% on qualified expenditures, Kentucky is quickly becoming a hotbed for production.
Having just recently gone through the qualification process for my next film, I can say it is fairly simple and straightforward. It necessitates having your ducks in a row, but it should... And you should.
To be fully transparent, no one has offered me any compensation to write this. I just love living and working in my adopted home, and with what the Commonwealth has to offer for filmmakers, I think it should be on your list.
Want to learn more? Visit the Film 502 website, where my friend Soozie Eastman gives all the important details: https://filmlouisville.org/incentivevideo
You can also visit the Team Kentucky website at: https://newkentuckyhome.ky.gov/Locating_Expanding/KEI
Then... Let me know what you think about bringing your next production to The Bluegrass!
Kliment Tihhonov What you’ve built already is honestly impressive especially achieving that level of production value on such a small budget. That’s a strong foundation most teams don’t have.
From what...
Expand commentKliment Tihhonov What you’ve built already is honestly impressive especially achieving that level of production value on such a small budget. That’s a strong foundation most teams don’t have.
From what you described, it sounds like the next step isn’t just funding it’s positioning. Instead of relying only on crowdfunding, I’d suggest focusing on making your work visible to the right audience and potential backers.
A few approaches that might help:
Targeted outreach to niche sponsors: Since you’re working in military history, brands related to historical gear, reenactment communities, museums, or even educational institutions could be a natural fit.
Film festivals + online exposure: If your work already looks high-quality, getting it into festivals or even strategically releasing it online can attract attention from producers or investors.
Build a clear pitch package: Not just a teaser, but a strong logline, synopsis, and a clear vision of how a bigger budget would elevate what you’re already doing.
Direct networking: Reaching out to indie producers or filmmakers working in similar genres can sometimes open more doors than platforms alone.
You already have the hardest part proof that you can create something compelling with very little. Now it’s about getting the right people to see that.