I have just finished watching this series on Netflix and I've been absolutely wowed by it.
The Eternaut is an Argentinian series filmed in Buenos Aires. The story is an adaptation of Hector German Oesterheld's 1957 graphic novel, 'El Eternauta' (The Eternal). It is an iconic story of oppression and resistance, set in the frame of a dystopian, science-fiction world.
I first heard of it a couple of years ago, when connecting on Stage32 with a composer (Antonio Zimmerman) who lives in Buenos Aires. We started talking about animated series and graphic novels.
Here's the trailer:
https://youtu.be/TqT4fDQQqCc
The visual effects are stunning. The story is set during summertime, but as four friends play a card game, 'Truco', snow begins to fall. The snow however, is toxic and anyone whose skin is touched by the snowflakes, dies.
Some critics have complained that it's a slow-burner, but I give no value to that criticism; it simply increases the tension of the story. What's a dystopian thriller without scenes of streets empty of life, with the bodies of the fallen hanging out of cars and the windows of their apartments?
The subscribers to Netflix loved this series so much, that a day after its release, Netflix commissioned the second and final series of 8 episodes.
It has great acting and production values, which shows the qualities of the filmmaking community in Argentina. I watched the final episode last night and the last scene was breath-taking.
I recommend this series to you. Please let me know what you think? Are you a fan of dystopian stories? Have you watched The Eternaut? What's your favourite dystopian films of the 50s and 60s?
Here's a behind the scenes look at the making of the series.
https://youtu.be/bATx3KX1D4U
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I like your score, Monobjo Valerio Silvestri. It definitely has a Shining and Hereditary feeling. I haven't worked on any transmedia projects yet, but I use symbolism in my scripts. I use objects, loc...
Expand commentI like your score, Monobjo Valerio Silvestri. It definitely has a Shining and Hereditary feeling. I haven't worked on any transmedia projects yet, but I use symbolism in my scripts. I use objects, locations, colors, and more to symbolize things about the stories and characters.
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Thank you so much, Maurice!
I really appreciate that. I’m always trying to let the score carry symbolic weight, almost like a hidden voice in the story.
It’s great that you consciously use symbolism in...
Expand commentThank you so much, Maurice!
I really appreciate that. I’m always trying to let the score carry symbolic weight, almost like a hidden voice in the story.
It’s great that you consciously use symbolism in your scripts. Objects, locations, and colors are so powerful, they speak to the unconscious layer of the viewer.
If you ever want to chat about how music and symbols can echo each other across story layers, I’d love to connect.
You're welcome, Monobjo Valerio Silvestri. Ok, sounds great. And I've been thinking about using sound and music in my scripts more to enhance the stories, especially Horror and Thriller scripts....
Expand commentYou're welcome, Monobjo Valerio Silvestri. Ok, sounds great. And I've been thinking about using sound and music in my scripts more to enhance the stories, especially Horror and Thriller scripts.