Bring Your Questions: Join Us for the FREE Stage 32 Community Open House
Wednesday, September 23rd at 12:00pm PT
You have questions. You're curious about how to actually make the most of your time on Stage 32, how to use the resources here successfully, how to build genuine relationships that lead somewhere meaningful, and how to move forward with real intention. How to find the right collaborators, producers, financiers, reps, distributors, etc.
That's exactly what this FREE event is designed for.
Our Community Open House is a live, fully interactive conversation hosted by me, Ashley Smith, Head of Community here at Stage 32. It's a genuine gathering where you get to show up, share what you're working on, ask the questions that have been on your mind, and get direct guidance tailored to where you actually are in your journey.
Whether you've attended one before or this is your first, the conversation is different every single time. It's shaped by the members who take the time to join, be present, and bring their real questions to the table. Your voice, your goals, and your curiosity make each Open House uniquely valuable.
Free Registration: https://www.stage32.com/education/products/stage-32s-september-2026-community-open-house-webcast
We'll cover the tools and features on Stage 32 that most consistently create momentum for members, and we'll talk about what's happening on the platform that you don't want to miss out on. September lands us in a genuinely exciting stretch of the year. We're coming off Venice and Toronto International, in the middle of New York Film Festival, heading into Austin Film Festival, and gearing up for our annual November Write Club campaign. There's real opportunity to position yourself for what's ahead, and we'll talk about how to do exactly that.
We'll close with a live Q&A focused entirely on you, your questions, your projects, and your next steps. And if you can't join us live, don't worry! Registering guarantees you the full recording so you can watch it anytime, from anywhere.
Come as you are. Bring your questions. Let's have a real conversation.
3 people like this
I completely agree that the soundtrack plays a very important role. For me, film is only half about what we see—the other half is what we hear. Without the right sound, even a powerful visual can some...
Expand commentI completely agree that the soundtrack plays a very important role. For me, film is only half about what we see—the other half is what we hear. Without the right sound, even a powerful visual can sometimes feel like a random video recorded on a phone. Sound gives the images atmosphere, emotion, tension, and meaning.
Since I’m also interested in making deeply emotional films, I feel the soundtrack is especially important. The right music can make a scene stay with the audience long after it ends.
Really appreciate the way you’re approaching sound in BROKEN MEN DON’T KNOCK. Treating the soundtrack almost like another character is a powerful idea, and it sounds like you’re putting a lot of thought into making the emotion work from both the visual and the audio side. Great work!
2 people like this
Thank you, I really appreciate that.
I agree completely, without the right sound, even a strong visual can lose its weight. The image shows the audience what is happening, but sound can make them feel...
Expand commentThank you, I really appreciate that.
I agree completely, without the right sound, even a strong visual can lose its weight. The image shows the audience what is happening, but sound can make them feel what is hiding underneath.
That is exactly what I’m trying to build with BROKEN MEN DON’T KNOCK. Veyrlock is not just a place visually, it has to have pressure, rhythm, silence, noise, and emotional weight. Sometimes the soundtrack is not there to decorate the scene, but to reveal what the characters will never say out loud.
I also think emotional films need that balance. Too much music can manipulate the audience, but the right music can stay in their memory after the scene is gone.
Really appreciate your words.
2 people like this
I really liked the music in Snatch (2000) which is an ensemble and each major character has a musical motif. I think this most noticeable with Boris the Blade who has a version of the folk song "Korobeiniki."
I really like your idea of the soundtrack acting like another character. For me, the best music deepens what is already happening without telling the audience exactly what to feel. How are you approaching the sound and music for BROKEN MEN DON’T KNOCK?