Greetings; cheers; hello community! I am here at STAGE 32 by way of two (2) copyright protected (with additional upcoming) adaptation scripts; including a (future-tense) twenty-minute (20 min.) documentary; approved for creation by a Hollywood book to film executive at Book to Film Company.
The executive is Ellen R. Green (IMDb). (Note) I have worked with iconic Paramount Pictures (of the Hollywood studio system) for five (5) months in ‘22 with a Book to Film Company 'Blueprint Screenplay Adaptation' (Treatment for a Screenplay. Each script is known as the entire movies' ‘Story’)!
These 'Blueprint Screenplay Adaptations' (each ‘Story’) are Hollywood book-to-film, thematic, filmic, and cinematic versions of my book(s). They have been composed on my behalf (known as phantom written in today’s publishing industry, and previously known as ghost written) by Writers Guild of America (w.g.a.) union screenwriters (of paid open writing assignments by genre) with decades of Hollywood experience. Through my publisher’s (connected) Book-To-Film Company.
They write in classic Hollywood three (3) act structure! (Act 1 a.b. • Act 2 a.b. • Act 3 a.b.) Their creations are ‘off the books’. As in not participating in my copyrights, credits, deals, paychecks, nor profits!
This pool of screenwriters are assigned by the founder and director of the company (my ‘buddie’), Ellen R. Green (IMDb). She has worked on dozens of motion pictures going back to ‘The Seventh Sign’ in the '80’s; and her w.g.a. back to the ‘Gremlins’ franchise in the '80’s as well. She has dozens of credits, and serves as my publisher’s Hollywood insider (working for over thirty years in it)!
My book is (proclaimed as… declared as… reviewed as…critiqued as) what-Hollywood is looking for. As it is on the lists of best motivational and inspirational books (1,100+ list); best spiritual books (1,400+ list); best books ever (76K list). So it as historical publishing industry listing s. Within an industry (mind you) that has two (2) million english books released annually (obviously) by various authors.
Each of these book-to-motion picture scripts are of ninety (90) minute, main stream commercial studio appeal, (of fantasy & non fiction) with faith-inspired, faith-based content, faith-friendly content, and probable MPA Inc. rated, general audiences consideration (G rated. Rated G. All ages admitted). The circumstances are the villany.
Having only situational conflict. (And) Situational friction remains the standard as reflected from my intellectual property, and source material via publishing (The book) that the originally adapted scripts are composed from. Each script has socially responsible content as well. (Mind you again) The circumstance is the villany.
I am currently heading towards my first book-to-film purchase agreement (production agreement. production lock. green lit scenario.) with a ongoing (upcoming 35th) pitch session process. Wherein I mention having my one, awarded union (s.a.g.) acting talent; two, my (p.g.a.) producer talent with a plethora of credits; three, my union (d.g.a.) Oscars ® production associated directing talent. Who-is a consultant at a classic major studio. They are “attached” guild member talent who enable me to forego the need (not need) of a major studio level ‘Pitch Deck’ that would typically accompany a script. (just one of these “attached” talents suffice to forego a studio system ‘Pitch Deck’)
Note that my adaptation development consist of three (3) of the four (4) major demographics. Which are, one, young adult (YA); two, kids and family; three, (do not have) live action; (and) four, animation (as hybrid animated).
I also have an eighteen (18) major studio credited, Oscars® and Emmys® acclaimed w.g.a. script writer as a co writer credit for the actual screenplay (also “attached”). Thanks for being a part of this phenomenal international platform. Thank you for listening too. Be blessed (blest) with all your endeavors here as well.
Josephine Jackson Welcome to S32!