Screenwriting

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Bring Your Questions: Join Us for the FREE Stage 32 Community Open House

Bring Your Questions: Join Us for the FREE Stage 32 Community Open House

Wednesday, September 23rd at 12:00pm PT

You have questions. You're curious about how to actually make the most of your time on Stage 32, how to use the resources here successfully, how to build genuine relationships that lead somewhere meaningful, and how to move forward with real intention. How to find the right collaborators, producers, financiers, reps, distributors, etc.

That's exactly what this FREE event is designed for.

Our Community Open House is a live, fully interactive conversation hosted by me, Ashley Smith, Head of Community here at Stage 32. It's a genuine gathering where you get to show up, share what you're working on, ask the questions that have been on your mind, and get direct guidance tailored to where you actually are in your journey.

Whether you've attended one before or this is your first, the conversation is different every single time. It's shaped by the members who take the time to join, be present, and bring their real questions to the table. Your voice, your goals, and your curiosity make each Open House uniquely valuable.

Free Registration: https://www.stage32.com/education/products/stage-32s-september-2026-community-open-house-webcast

We'll cover the tools and features on Stage 32 that most consistently create momentum for members, and we'll talk about what's happening on the platform that you don't want to miss out on. September lands us in a genuinely exciting stretch of the year. We're coming off Venice and Toronto International, in the middle of New York Film Festival, heading into Austin Film Festival, and gearing up for our annual November Write Club campaign. There's real opportunity to position yourself for what's ahead, and we'll talk about how to do exactly that.

We'll close with a live Q&A focused entirely on you, your questions, your projects, and your next steps. And if you can't join us live, don't worry! Registering guarantees you the full recording so you can watch it anytime, from anywhere.

Come as you are. Bring your questions. Let's have a real conversation.


Michael Schulman
Ask Me Anything (AMA) 8/26 to 8/27- What Studios and Streamers Are Actually Buying Right Now (And How to Position Your Script for It)

Hey Stage 32 Gang,

I’m thrilled (genuinely) to be part of the Screenwriting Lounge this week hosting my very own AMA. Having spent time as an agent at ICM, a studio executive, and the head of development for Michael Mann, I’ve seen the industry from more angles than I care to count. Currently, I'm be...

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Vijay Jeste

Hi Michael - you are the right person at the right time for me. I am a senior citizen, Indian immigrant (84) living in L.A. I spent 50 years in Engineering Management, Marketing, International Busines...

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Robert Zwerneman

Vijay Jeste Sometimes the story, especially ones from the heart, though endearing, aren't the ones that make it to the silver screen just because we are passionate about them. The contest awards addre...

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Ezekiel Coal

Michael, thanks for doing this. I'm looking forward to this. The perspective from someone who has seen the process from the agency side, studio side, and now development side is incredibly valuable.

A...

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Liked by Emilio Briceño and 16 others

Maurice Vaughan
Telling it Without Dialogue

What’s one way you tell the reader something in your script without dialogue?

Ewan Dunbar

When reading scripts it is always good to see non-verbal communication, both between characters and to the audience. It’s a great way to show what someone is thinking, but not necessarily wanting anyone else to know. It really elevates a script when this is used well.

Maurice Vaughan

Hey, Ewan Dunbar. "It’s a great way to show what someone is thinking, but not necessarily wanting anyone else to know." You're right. I'm not sure if I've done that in scripts. Thanks for the idea.

I'm...

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Michael Alan Elliott

Too many people actually overthink the entire issue.

Maurice Vaughan

Sometimes telling the reader something in dialogue is more impactful, @Michael Alan Elliott, especially when a really skilled actor delivers the line. And sometimes it's a better choice for the story.

Terri Morgan

Great topic Maurice Vaughan If only I had visuals... I do lots of non-verbal things in the stories. This character smiles just a little then frowns. That character lowers her head and looks up with a...

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Liked by Adam Delmonico and 6 others

Tomás Daniel
Sometimes, the hardest scenes are the quiet ones.

While writing Zamora: Sons of the Black Buffalo, I’ve been learning that a character doesn’t always need to fight to show strength.

Sometimes, strength is in the moment before the decision.

M’Kora is a young leader caught between tradition, duty, and the possibility of building a different future for...

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David Taylor

You feel like you met them.

Banafsheh Esmailzadeh

I guess for me it’s their flaws which often inform their choices and actions. Bonus points if it’s a flaw many people are guilty of but don’t want to admit it (my favourite being hypocrisy).

Tomás Daniel

Banafsheh Esmailzadeh I completely agree. I think flaws become especially interesting when they’re connected to something the character genuinely believes is right. Sometimes a character can make a ch...

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Tomás Daniel

David Taylor That’s exactly what I hope to achieve with my characters, David. I want them to feel like people who existed before the story began and will continue to exist after it ends.

For me, the mo...

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Tomás Daniel

Maurice Vaughan Absolutely. I agree. I think all those details work together to make a character feel like a complete person rather than just someone who exists to move the plot forward.

I especially l...

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Liked by Adam Delmonico and one other

Abolfazl Mohammadi
Stuck on your story? Let's break through it together.

Dear fellow screenwriters and storytellers,

We all know the feeling – you have a strong idea, maybe even a full outline, but somewhere along the way the story stops flowing. The middle feels heavy. The ending doesn't click. The characters start to feel like strangers.

I've been there too. And I've lea...

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Zoltán Varga

This is a great initiative, Abolfazl. Sometimes a fresh perspective and an honest conversation are exactly what a story needs. I hope some great collaborations come out of this!

Abolfazl Mohammadi

Thank you, Zoltán – I truly appreciate your kind words and encouragement. I completely agree that fresh perspectives and honest conversations can make all the difference. I hope this initiative leads...

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Anson Kessinger
WRITE 7 in 7 winners - August

Congratulations to the winners of our August competition. It was a TIE! Both writers walk away with $75 and their short scripts are being produced into podcasts as we speak.

Listen to p...

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Register | Write 7 in 7
Register | Write 7 in 7
Register for the Write 7 in 7 monthly short film screenwriting competition. At 7pm ET on the 7th you'll receive the prompt and your unique submission link together in one email.

Liked by Marina Gomozova and 6 others

Nicholas Burton
Logline Spice Up (Re-Post - With Conflict Added)

Hello all, I've written a comedy / mockumentary pilot based in a fictional, rural Australian town. It centers on four film graduates initially planning to travel interstate to document the ideology, of a far-right anti-immigrant political movement. However, when they stop in a country town for refre...

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Mike Boas

Why is the far-right anti-immigrant political movement important to the logline? It sounds like your characters get waylaid and don’t get to their destination. Unless that movement is IN the small tow...

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Nicholas Burton

Maurice Vaughan and Mike Boas, thanks for your inputs. Mike, I hadn't looked at the logline like that frankly. I thought given the political documentation was their initial reason for travelling, that...

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Maurice Vaughan

You're welcome, @Nicholas. The loglines on IMDb pages are for marketing movies and shows. They're different than loglines for spec scripts.

Robert Zwerneman

Nicholas Burton Sometimes we can't see the forest because we're at the beach.

Four film students road‑tripping through rural Australia stumble into a small town where life still moves without smartphon...

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Robert Dillon

Needs to be more concise for a logline.

Maybe:

Four film students travel to a small, Australian town to document a far-right, anti-immigrant political movement. However, their plans hit a snag when th...

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Liked by Hannah Morgan and one other

Claude Gagne
Proposition

If I post my first ten pages from my script, which what all readers do before they discard it, would you give a short comment, and I'll do the same for you? I don't know, how you would want to interact, just send me a post here and we'll work from there? I guess, we'll need to be prepared for the go...

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Jim Boston

Claude, it sounds like a good idea!

I got to thinking about Adam Spencer's recent offer to give feedback on scripts other Stage 32 members sent his way. Recently, I took him up on his offer, sent him a...

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Alex Recheal

I'm in. First ten pages is genuinely the right place to focus, since that's where a reader either commits or moves on, so it's a fair exchange either way.

I'll give you a straight read, hook, clarity o...

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Variath Kumar

Contact me through what's up for detailed discussion.

Robert Zwerneman

The way you do that is to save the first ten pages to a PDF and post it on your projects page, where it allows you to provide a link for the script. I used that link for my pitch document. I would nev...

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Hannah Morgan

I’d be happy to exchange first ten pages and give each other some honest, constructive feedback. I think you’re right that we need to be prepared for both the good and the bad, hopefully we can leave the ugly at the door!

Liked by Myranda Peterson

Branson Tiara
The Synopsis Mistake I See Constantly

Something I catch constantly when reviewing synopses, writers describing the tone and stakes beautifully, but leaving out the actual sequence of events. A synopsis should tell me what happens, in order, cause and effect, not just how it's supposed to feel. Mood is important, but if I can't follow th...

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Myranda Peterson

I think what ultimately helps is understanding the larger point of your own story. I have one project that's a major "epic" (in terms of how sprawling it is) but once I understood the direction of the...

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Alex Recheal

Great point, and it's one of the most common issues I see in script coverage too. A synopsis is essentially your plot's skeleton, if the cause and effect chain isn't clear on the page, it usually mean...

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Branson Tiara

Myranda Peterson, that's a great reframe, once you know the real goal of your hero, everything else becomes easier to compress because you're not trying to summarize the whole story, just the spine of...

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Branson Tiara

Alex Recheal, good question. For multi POV stories, I usually lean toward finding the one throughline that connects all the perspectives, even if each character has their own arc, there's typically a...

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Hannah Morgan

The plot and structure are probably the hardest parts for me. It’s easy to get caught up in the tone, themes, and emotional journey because those are often what make a story exciting to write. But ste...

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Liked by Kenneth Ellis 2 and 5 others

Bram Christian
Logline

Hello. I am back after an absence. I am developing a new pilot titled TRANSITIONED which is a spin-off of the short film I wrote with the same title.

Logline: When a failed transgendered attorney uses an unconventional method to win a case, she is abruptly fired and blacklisted, but when she attempts...

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Bram Christian

Branson Tiara it culminates into a bit of all. First, the story. Far too often, I see shows that are bold, but the throughline of the characters and undertone of the storytelling remains the same.

I h...

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Bram Christian

Amry Lucy right now, i'm building the foundation and building blocks before i write Fade in:

Bram Christian

Thank you all for your responses and input.

Branson Tiara

Bram Christian, that comparison really lands, the idea that different kinds of bravery get recognized so unevenly, war and prison read as heroic, but living authentically as yourself is often treated...

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Hannah Morgan

This sounds like a very intriguing and thought-provoking premise. I’m especially interested in how you’re exploring identity, career, and the challenges your protagonist faces after such a dramatic tu...

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Liked by John Patterson and 2 others

John Patterson
Logline Help, Please

Pat Alexander helpfully suggested that I post the logline for my screenplay The Know It All so I can solicit suggestions on how to strengthen it.

The screenplay itself has been very well-received (3 Double Recommends), but as I mentioned in The Writer's Room, I am having trouble with my pitch as we...

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Robert Zwerneman

Think Groundhog Day: A cynical weatherman finds himself trapped reliving the same day over and over, forcing him to confront his worst impulses and transform himself in order to break the cycle.

Harold...

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Liked by Maurice Vaughan and one other

Branson Tiara
Why Your Characters Might All Sound The Same

Something I keep coming back to when consulting on scripts, dialogue that's technically well written can still feel wrong if every character sounds equally articulate. Real conflict often comes from people talking past each other, not just because of what they want, but because of how differently th...

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Karolina Ferguson

Absolutely agree. I think a character’s personality, background, emotions, and way of thinking should naturally shape how they speak. One character might be direct and confident, while another avoids...

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Maurice Vaughan

I write dialogue that matches a character's personality, Branson Tiara.

Ezekiel Coal

I think the strongest distinction comes from the character’s root system. Vocabulary and rhythm matter, but they’re usually symptoms of something deeper — culture, wounds, education, values, fear, sta...

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Scott Willhite
Something happened this weekend that changed everything...

Like many writers, I've been having serious doubts lately. Is the amount of time I'm investing in a spec screenplay worth it? From a creative standpoint, yes, I have loved every minute of it. But from a real-life standpoint? I can't justify it.

I'm an independent art director/artist working in games,...

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