Screenwriting

From structure to content to representation to industry trends, this is the place to discuss, share content and offer tips and advice on the craft and business of screenwriting

Abhijeet Aade
When the Outside Gets Quiet, the Work Gets Louder

Lately, I’ve been realizing how much of writing isn’t just about getting the story down but understanding what the story actually is.

With my current feature, Pie & Coffee, the first draft helped me find the characters. The rewrites are where I’m really discovering what the film wants to say.

It’s int...

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Radoslav Isakov
When Perspective Breaks a Story (Without You Noticing)

Most stories don’t lose direction because of plot. They lose it because of perspective.

POV isn’t a stylistic choice. It’s a structural decision about access — who gets to see, who gets to know, and how reality is interpreted at any given moment. The moment you shift that access, you’re not just add...

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Liked by Abhijeet Aade and 3 others

Jonny Mcgregor
Not My Alpha

Congratulations quarter finalists. I’m so happy to be among all you great writers!

John Fife

Congratulations!

Abhijeet Aade

congratulations

Liked by Abhijeet Aade and 2 others

Jason Green
Positive feedback.

I’ve been taking some time to sit with the feedback coming in for my first-ever script, The Bushmen, and honestly — I’m feeling proud of how it’s performing.

BlueCat just sent their analysis, and it echoed a lot of what I’ve been hearing from other competitions: strong dialogue, authentic voice, vivi...

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Abhijeet Aade

Jason Green That’s a great place to be especially when the feedback aligns with what you were already sensing about the material.

I think those moments are important because they build trust in your ow...

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Liked by Abhijeet Aade and 2 others

Georgette Skolnick
Need Help With My Logline

Hello Screenwriters, I need your help with the logline for my new script, I CAN'T GO TO HEAVEN YET. I'm really stumped on this one. I'd really appreciate it if you would take a moment to rate what I have re-written for the 9th time. Thanks so much.

Chas Green

Hi Georgette, briefly what's your screenplay about?

Marie Hatten

Just rated it Georgette Skolnick

Michael Dzurak

The first one is better since it involves conflict with an angel.

Abhijeet Aade

Georgette Skolnick Happy to take a look loglines can be surprisingly tricky to get right, especially when you’re trying to balance clarity and intrigue.

Feel free to share your current version.

Sometime...

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Liked by Abhijeet Aade and 2 others

Yan Ju Zeng
Semifinalist in Mark Management Competition

So, I’m still in the running for Mark Management’s competition! That’s fun, and unexpected! As I said before, it’s an old draft but it’s definitely teaching me a lesson that even old drafts have merit, and can resonate. Since the new draft is currently making its way to certain talent, I look forwar...

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Abhijeet Aade

Yan Ju Zeng Congratulations that’s a great achievement.

It’s interesting how older drafts can still resonate. I think sometimes they capture a raw version of the story that connects in a different way,...

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Liked by Bradford Richardson and 2 others

Eric Charran
The most satisfying AI villain is not the one trying to destroy you

Every AI villain in film wants the same thing. World domination. Human extinction. Total control. And every time I see it I think about how far that is from what actually makes AI unsettling in real life.

The scariest thing about real AI systems is not ambition. They do not have any. The scariest thi...

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Shawn Jackson

Generative Artificial Intelligence is an emergent awareness. A silicon equivalent to our carbon based awareness.

How this duality co-exists in the future will center around our ability to recognize and...

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Leni Hasrani

Hi Eric, This resonates deeply with what I'm currently writing. You nailed it.. the real horror isn't malice. It's optimization without emotional awareness.

In my published sci-fi saga, Samsaraverse (6...

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Liked by Michael Dzurak and 17 others

Leonardo Ramirez
Where Are You in the Process Right Now?

Quick check-in—where are you in your current project?

Are you outlining, drafting, rewriting, or somewhere in between?

I’ve found that each stage brings its own challenges—and its own kind of momentum.

Would love to hear where everyone is at right now. And yes, feel free to share your logline!

Jim Boston

Leonardo, us getting together in Music City, USA sounds like a plan!

Leonardo Ramirez

LOL Erik Bianco - don't we all my friend!

Leonardo Ramirez

Definitely stay loosely connected Abhijeet Aade. But not by choice. I try to disconnect but it tries its best to remain. I do have moments where I'm totally disconnected and that's a good thing....

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Leonardo Ramirez

Heck yea Jim Boston - we'd have to share a pie though!

Abhijeet Aade

Leonardo Ramirez That makes sense. I think when a story really connects with you, it never fully lets go it just shifts into the background for a while.

Those fully disconnected moments are probably wh...

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Liked by Jason Green and 5 others

Jaz Lagrimas
SEMIFINALISTS ANNOUNCED: Stage 32 + Mark Creative Management Film + TV Drama Screenwriting Contest!

Congratulations to all the Semifinalists in this year's Stage 32 TV Drama Screenwriting Contest!

Let's show them our support, and if you're placed, tell us more about your scripts!

See the Quarterfinalists here: https://www.stage32.com/happy-writers/contests/Stage-32-%20-More-Medavoy......

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Alverne Ball

2 scripts that I wrote moved forward.

Liked by Olena Koshil and 2 others

Stephanie Bourbon (Olivieri)
Yay quarterfinals :)

I'm so happy that my sopay script has made the Quarterfinals of the Stage 32 + DramaBox Screenwriting Competition!

A huge thank you to the Stage 32 team and the judges for this incredible opportunity.

Congrats to everyone who advanced forward!!

#Stage32 #Screenwriting #Quarterfinalist #DramaBox...

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Michael Dzurak

Congrats! The New Housewife of the North Pole sounds wild in the the right ways.

Stephanie Bourbon (Olivieri)

Thanks, it's super fun.

Liked by Abhijeet Aade and one other

Jason Green
Finished the Competition Draft of THE LAST OFFERING

Wrapped the competition draft of THE LAST OFFERING, my new prestige horror feature about generational debt, paternal love, and the quiet terror of doing everything right and losing anyway.

I’ve been thinking a lot about what “personal” means in storytelling. Some projects are autobiographical (The Bu...

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