The place to discuss, share content and offer advice and tips on all things lighting, framing, cameras, lenses and technique
Storyboard isn’t just for animation — it’s a cinematography tool.
In this frame, I focused on:
• Camera angle to create tension
• Framing to guide attention
• Movement planning before shooting
Planning shots like this makes execution much easier on set.
I enjoy collaborating with DPs and directors to pre-...
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NAB 2026 opens tomorrow in Las Vegas and runs through April 22. For anyone who follows gear, technology, and production trends, this is the week when a lot of announcements land.
On the cinematography side, CineCentral sessions this year include a talk by Roberto Schaefer ASC, panels on exposure and...
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Lindsay Thompson, this is such a great overview, NAB always feels like a pulse check on where the industry is heading.
My husband actually used to attend every year, but I’ve never had the pleasure of...
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Ashley Renée Smith Thank you -- that is a great way to put it, a pulse check is exactly what it is. Your husband has good taste in conferences.
I am not making the trip this year, but I will definitely...
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my 8mm seems to have takin a crapola. Shotting on 16 this weekend (25-26th) but a few shots on 8. If anybody in LA is feeling generous and wants to loan me a really great working 8 I'd hug you for eternity.
Thanks
Few films in recent memory have demanded as much scientific rigor from their cinematography as PROJECT HAIL MARY, and director of photography Greig Fraser rose to that challenge with a combination of old-school technique and unexpected ingenuity. To recreate the sun's alien appearance from deep spac...
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Laura Hammer Greig Fraser’s approach here is exactly why his work stands out so much to me. I absolutely adore his cinematography, and this is such a perfect example of how intentional and thoughtful...
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It was fun being interviewed by the Palm Springs Screenplay Awards for being a finalist. There's a little in there about being a DP.
Read on...
https://www.palmspringsscreenplayawards.com/mike-fitzer-interview.html#/...
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Congratulations, Michael Fitzer, Mfa! So happy for you, my friend!
I’m watching the Netflix Nordic series DETECTIVE HOLE starring Joel Kinnaman and I have to say the cinematography on this show is unreal.
Diz Sharpe ,for Bourne Ultimatum Window Crashing Scene ,he nailed it
I've got a list, Alice Brooks, Christina Alexandra Voros, Ari Wegner, Rachel Morrison, Dan Lautsen, Haris Zambarloukos, Stuart Howell. There's probably more that I can't think of at the moment.
I've got two of them & others on my list too, Jack Teague !
Vilmos Zsigmond (favorite: McCabe & Mrs. Miller)
Andrzej Bartkowiak (favorite: The Verdict. Andrzej’s ability to shoot interior scenes in a stunningly beautiful manner is amazing. Some of the interior...
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I'm loving all of your responses here. I just watched Crime 101 - several of you brought it up, I agree - that was a beautiful film. (off topic - reminded me of old school 80's/90's movies we used to see - not as good as them - but love those fun rides)
My name is Jose Armando Olivera Enriquez, a screenwriter from Peru and creator of the registered sci-fi project “AROLEN’S.”
I am reaching out to present a high-concept feature film that combines real h...
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Hi Jose Olivera - Id recommend putting this post up in the Introduce Yourself lounge so you can network for introduce yourself weekend: https://www.stage32.com/lounge/introduce_yourself...
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Foreground objects are one of the most underutilized tools in the frame. When used with intention, they do several things at once -- they create depth, direct attention, and add context without the di...
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My name is Jose Armando Olivera Enriquez, a screenwriter from Peru and creator of the registered sci-fi project “AROLEN’S.”
I am reaching out to present a high-concept feature film that combines real h...
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An interview I did with Consequence of Sound podcaster, host and legend behind the mic, Kyle Meredith. We talk a lot about story, cinematography, and much more. If you listen, I hope you enjoy!
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Amanda Toney Excellent and cued up for this evenings content! I just bought How to Prep to Sell Your Completed Feature Film at a Film Market and Plan Your Film Festival Strategy in the "New Normal" -...
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Hey cinametogs! I want to know whether I’m being cleverly minimalist or just plain cheap and delusional.
I’m after a slow move from a dark, gloomy passage between buildings out into an open street with a proper shift in light. I do not want the camera helpfully “fixing” the exposure for me like some...
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In case it's not too late since I just found this post, it's probably better just to use a small cinema camera... rent/borrow a Black Magic Pyxis or Pocket cinema camera, or a Red Komodo or Komodo-X....
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I'm in agreement with Rakesh Malik
Ha! "Caffeinated baboon" is my new favorite camera term. Honestly, if you lock exposure manually and the GoPro doesn't try to "help" (big if), you might pull it off. But for a slow, intentional move l...
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I have tried the GoPro on manual but it is a pain to use, requiring an iPad or similar along for the shoot to change settings. Incidentally, I did finally shoot with a cine-cam, I actually shot the sc...
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Let us know how it turns out!
A few things worth knowing about this month:
The April issue of American Cinematographer is out, covering Project Hail Mary, The Bride!, Wuthering Heights, and Amrum. Linus Sandgren breaks down his approach to Emerald Fennell's Wuthering Heights adaptation, and the issue includes a report on a perfor...
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I'm especially excited to see what new cine gear emerges from NAB this year, and that ARRI partnership for Europe's largest virtual production stage sounds like a game-changer for how cinematographers can shape light and atmosphere on set.
I'm curious about NAB. Also, over the past few months, I've read a couple of rumors about ARRI: one about a possible sale (I hope not) and another about a hypothetical Alexa Mini "for the masses" (this one might be interesting).
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