Post-Production

Liked by Oleg Mullayanov

Ashley Renée Smith

Head of Community at Stage 32 ♦ Creative Executive, Writer, Author, Director of Development

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21 hours ago

Is California About to Change the Game for Post-Production Jobs?

A new bill has been intro...

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Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

https://deadline.com/2026/04/editors-guild-praise-adviice-california-post-production-incentive-1236783013/

The Editors Guild r likes a new bill aimed at creating a tax incentive program to keep post-production work in Cali, but they think ir need to be toughened up

Tajudeen Idris

Screenwriter, Script consultant, Digital Imaging Technician

posted in Post-Production Sign in to subscribe

1 day ago

In THE WEIGHT’s first season, disgraced FBI agent Michael Raines is forced back into the field when a series of brutal killings in Kensington, Ohio, reveal ties to a century-old conspiracy. Partnered with a fractured task force of compromised investigators, Raines uncovers how organized crime, corpo...

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Amanda Toney

Managing Director at Stage 32 ♦ Producer

posted in Post-Production Sign in to subscribe

1 day ago

Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

https://deadline.com/2026/04/editors-guild-praise-adviice-california-post-production-incentive-1236783013/

Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

https://deadline.com/2026/04/editors-guild-praise-adviice-california-post-production-incentive-1236783013/

The Editors Guild r likes a new bill aimed at creating a tax incentive program to keep post-production work in Cali, but they think ir need to be toughened up

Tajudeen Idris

Screenwriter, Script consultant, Digital Imaging Technician

posted in Post-Production Sign in to subscribe

3 days ago

The weight

THE WEIGHT

A 10-Season Crime Drama Series

LOGLINE

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THE WEIGHT

A 10-Season Crime Drama Series

LOGLINE

A disgraced FBI agent leads a task force of broken careers investigating a murder in a dying rust-belt city and uncovers a century old conspiracy where organized crime, corporations, and government have merged into a single system of extraction. The deeper they dig, the more they realize the enemy isn't criminal. It's algorithmic. And it's already building the future.

THE HOOK

THE WIRE meets TRUE DETECTIVE for the algorithmic age. A sprawling conspiracy thriller that evolves from murder mystery to institutional corruption saga to something darker: a story about how oppression became optimization, and how the American city became a prototype for digital authoritarianism.

SETTING

Kensington, Ohio A fictional industrial city of 400,000, hollowed out by deindustrialization and opioids. Cold winters. Gray skies. Abandoned mills. The city is a character: designed for extraction, maintained for decline, now being rebuilt as a "smart city" where every breath generates data and profit.

Visual style: Documentary realism. No musical score during investigations. Time stamps open every episode (date, time, temperature). A wall map that grows more crowded each season until it becomes a tapestry of conspiracy.

CORE CHARACTERS

THE INVESTIGATORS

• DIEGO VASQUEZ (42) Lead FBI agent, demoted after Chicago shooting, learning to trust again

• LENA KOWALSKI (35) SEC whistleblower, numbers genius, realizing her paranoia was pattern recognition

• THEO GARRETT (28) —DEA agent, former local PD, discovering his own family's entrapment

• MARGARET CHEN (55) — Deputy U.S. Attorney, compromised in 1987, playing the longest game

THE CRIMINALS

• COLLEEN MORAN (41) — The true antagonist. Not a crime boss—a systems architect. Ruthless, brilliant, underestimated. Her ambition evolves from controlling crime to replacing government with algorithmic governance

• BRENDAN MORAN (45) — The heir who wants legitimate, playing double agent

• SHANE MORAN (32) — The addicted enforcer, the wild card who chooses humanity over optimization

THE ARCHITECT

• WALTER HOLLIS (65) — Former Commerce Secretary, academic architect of "efficient governance." Not a villain who enjoys cruelty—a true believer who engineered suffering into mathematics

THE 10-SEASON ARC

Season Focus Twist

1 Murder of a councilman The killer knew which cameras were broken

2 Following the money "The Foundation" predates the Morans by decades

3 Infrastructure as violence Bridge collapse is profit optimization, not sabotage

4 The secret treaty Crime families, corporations, politicians as single system

5 The moles Three leaks, working for different masters

6 Going rogue The conspiracy believes it's won

7 The trial To convict, the task force must commit the same crimes

8 The succession Colleen Moran runs for mayor and wins

9 The purge Mayor Moran eliminates everyone who knows

10 The weight Total exposure or total destruction

Final image: Five years later. Diego, retired, sees the same patterns emerging in another city. He makes a call: "It's starting again."

THEMES

• Economic precarity as engineered, not. accidental

• Institutional decay as profitable, not. failed

• Surveillance and data as the new extraction

• The impossibility of clean hands in a dirty system

• The question: Can you fight the system without becoming it

WHY NOW

The rust belt is the story of American decline. Kensington is every city that watched jobs leave, opioids arrive, and revitalization become extraction. THE WEIGHT gives that story shape, villainy, and the hope that documentation matters that witness survives.

The algorithmic governance Colleen builds is not science fiction. It's being tested now. This series documents it before it becomes invisible.

PRODUCTION

• Locations: Pittsburgh or Cleveland (authentic architecture, tax incentives, crew base)

• Episodes: 10 per season, 55-65 minutes

• Casting: Established leading man (Diego), acclaimed actress ready for iconic villainy (Colleen), esteemed veteran (Margaret Chen)

• Format: Closed 10-season arc with definitive ending—not expandable, not cancellable without resolution

TAGLINE

"Everyone is compromised. Especially the ones who tell you they aren't."

THE WEIGHT

A 10-Season Crime Drama Series

Currently seeking producers and development partners.

Full series bible, pilot script, and season breakdowns available upon request.

Joshua Jeremiah Sunday

Marketing/PR, Music Supervisor, Audio Post-Production

posted in Post-Production Sign in to subscribe

3 days ago

Open to collaborations on films in development or post-production

Most films don’t fail because of visuals, they fail because the sound doesn’t fully support the emotion.

A well-shot scene can feel flat if the music doesn’t evolve with the moment. But when sound is intentional, everything changes, tension builds, emotion connects, and the story becomes more immersi...

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Maik Donath

Visual Effects Supervisor, Visual Effects Artist, Author, Actor, Filmmaker, Animator, Concept Artist, 3D Animator

posted in Post-Production Sign in to subscribe

1 week ago

Debut Shortfilm on Indiegogo

Hello everybody, I would like you to have a look at my shortfilm: Shell - God and Machines, which is very much inspired by Philipp K. Dick, Asimov and movies like Blade Brunnder and the Matrix: https://www.indiegogo.com/en/projects/idavfx/shell-god-and-machines...

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Joshua Jeremiah Sunday

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1 person likes this
- Charmane Wedderburn
3 days ago

I took a look at your current project Maik, and i took a deep look at your youtube channel, i like the direction of what your creating but i noticed that you aren't discovered by more people in the pa...

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Cyrus Sales

Founder & Co-Owner; Stage 32 Moderator at Creative Station ♦ Audio Post-Production, Sound Designer, Sound Editor, Sound Mixer, Boom Operator, Storyboard Artist, 3D Animator, Animator, Graphic Designer, Visual Effects Artist, Illustrator

posted in Post-Production Sign in to subscribe

6 days ago

How to Color Grade in DaVinci Resolve

Hey Stage 32 community!

I came across this super helpful tutorial on color grading in DaVinci Resolve that’s worth checking out if you’re looking to step up your film’s visual polish:

What you’ll learn:

How to approach color grading for cinematic project...

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Cyrus Sales

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1 person likes this
- Charmane Wedderburn
6 days ago

https://youtu.be/jK_nYq4ZpgY?si=KxmueLMEf5Lnilcc

Timothy Miller

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1 person likes this
- Charmane Wedderburn
4 days ago

your post give expert advice regarding DaVinci Resolve and the basis of color grading with an easy to follow tutorial. thank you for sharing this Cyrus Sales...

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SYED HAMMAD

Graphic Designer

posted in Post-Production Sign in to subscribe

1 week ago

Legacies: A Series Poster Remake by Hammad Visuals Production

This is a creative reimagining and official poster remake of the series Legacies by Hammad Visuals Production, designed to showcase a darker and more intense take on the original supernatural world. By leaning into a horror-centric aesthetic and shifting the tone toward the occult, this concept expl...

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SYED HAMMAD

Graphic Designer

posted in Post-Production Sign in to subscribe

2 weeks ago

Reimagining the FROM Series Official Poster

I wanted to push the visual limits of the official poster for the series FROM.

I spent over 20 hours of detailed work to shift the atmosphere moving from the original yellow palette to a high-contrast, cinematic red and blue. My focus was on deepening the shadows, enhancing the character textures, an...

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Amanda Toney

Managing Director at Stage 32 ♦ Producer

posted in Post-Production Sign in to subscribe

4 weeks ago

Atlanta’s ‘Hollywood of the South’ fades as film production plummets

Post seems to be hit from this according to the article: https://www.latimes.com/business/story/2026-03-12/is-atlanta-still-hollywood-of-south

Atlanta's 'Hollywood of the South' fades as film production plummets

https://www.latimes.com/business/story/2026-03-12/is-atlanta-still-hollywood-of-south

Georgia's film industry is struggling.

Michael Cardillo

2
2 people like this
- Charmane Wedderburn
- Shadow Dragu-Mihai
3 weeks ago

Ironically, I just read that Georgia has moved into the number one spot for film production! So much spin - hard to know what to believe. The industry as a whole is still hurting, but there is great optimism in Georgia.

Shadow Dragu-Mihai

3
3 people like this
2 weeks ago

Michael Cardillo You know, it's hard to believe anything about industry stats that comes out of the main trades or relies on MPA or union announcements. It's all political and often calculated....

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Cyrus Sales

posted in Post-Production Sign in to subscribe

1 month ago

Ben Affleck Is Betting on AI And Netflix Is All In

Netflix has officially acquired InterPositive, an AI filmmaking startup founded by Ben Affleck that builds purpose‑built tools for filmmakers, designed to enhance post‑production workflows like lighting, editing, and visual effects without replacing the creative process. Affleck will stay on as a se...

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Netflix Acquires AI Filmmaking Start-Up Founded by Ben Affleck, Who Will Serve as Adviser to Streamer

https://variety.com/2026/film/news/netflix-acquires-ben-affleck-ai-filmmaking-startup-interpositive-1236679498/

In a rare acquisition, Netflix has bought InterPositive, a start-up founded by Ben Affleck that makes AI-powered tools for filmmakers.

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Vital Butinar

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2 people like this
- Charmane Wedderburn
- Amanda Toney
4 weeks ago

Yeah especially since he was so vocal about not working in the past Amanda Toney.

Cyrus Sales

2
2 people like this
- Charmane Wedderburn
- Vital Butinar
3 weeks ago

Amanda Toney i couldn't agree more. I know I didn't see it coming. Prime example of "never let them know your next move." Vital Butinar I didn't know this. I wonder what inspired the change?...

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Timothy Miller

2
2 people like this
- Charmane Wedderburn
- Vital Butinar
3 weeks ago

it will be a scary time when AI runs editing, but I still believe a human touch is going to be needed to turn a quick edit using AI into a film worth watching. because Artificial is never going to beat a human touch.

Vital Butinar

2
2 people like this
- Charmane Wedderburn
- Timothy Miller
3 weeks ago

Timothy Miller there already are some tools that work as AI assistance, a good friend uses one to edit his podcasts. Honestly for a podcasts it's fine, but anything else that needs some nuance for hol...

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Shadow Dragu-Mihai

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1 person likes this
- Charmane Wedderburn
2 weeks ago

Cyrus Sales Wonder how the recent suspension of Seedance 2., and the pulling of Sora might make Netflix feel now... assuming of course that they are thinking of generative AI and not just machine lear...

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Cyrus Sales

posted in Post-Production Sign in to subscribe

4 weeks ago

I could share another article…

I could share another post-production article, but I want to make sure it’s actually what you want. My goal is to add value and share things that are genuinely helpful or inspiring for this community.

So tell me, what post-production topics would you like us to cover more? Whether it’s sound design,...

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Timothy Miller

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3 people like this
3 weeks ago

Cyrus Sales Here is my take on color grading on DaVinci Resolve.

I hope this teaches in a simple step by step way.

Basic Node-Based Color Correction Workflow (DaVinci Resolve)

1. Set Up Your Initial Node...

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Cyrus Sales Here is my take on color grading on DaVinci Resolve.

I hope this teaches in a simple step by step way.

Basic Node-Based Color Correction Workflow (DaVinci Resolve)

1. Set Up Your Initial Node

Think of nodes as layers in your grade. Right‑click in the node graph and choose Add Node > Add Serial (or press Alt+S). Use a separate node for each correction step—this keeps your grade organized and makes adjustments easier later.

2. Balance Exposure (Lift, Gamma, Gain)

In the Primaries panel:

Lift (Shadows): Lower the Lift slightly to deepen shadows until they sit just above the bottom of your scopes.

Gain (Highlights): Raise Gain to brighten highlights, being careful not to clip detail at the top of the waveform.

Gamma (Midtones): Adjust Gamma to set overall brightness, especially for natural-looking skin tones.

3. Correct White Balance

Still in the Primaries section, fine‑tune Temperature and Tint:

If the image feels too cool, push Temperature toward yellow.

If it skews green or magenta, adjust Tint until skin tones look neutral and believable.

4. Adjust Contrast and Saturation

Below the color wheels:

Increase Contrast slightly (around 1.1–1.2) to add depth and separation.

Raise Saturation (typically 50–70) to restore color, especially if the footage was shot in a flat or Log profile.

5. Create the Look (Creative Grade)

Add a new node at the end of the chain for stylistic choices:

Color Wheels: Use Offset or Gamma to gently push the image toward a desired color bias (for example, subtle teal or warm tones).

Curves: Apply a mild S‑curve—lowering shadows and lifting highlights—for a more cinematic contrast.

6. Match and Copy Grades

Once a clip looks right, select another clip in the timeline and middle‑click the graded clip. This copies the entire node tree, allowing you to quickly match shots and maintain consistency.

~Timothy Miller

---

If you want, I can also shorten this further for a quick Stage 32 reply or adapt the tone to be more beginner‑friendly or more technical.

Cyrus Sales

2
2 people like this
- Charmane Wedderburn
- Timothy Miller
3 weeks ago

Thank you,Timothy Miller ! This was super clear and easy to follow. I actually copied it into a note so I can do a step-by-step on my next project and put it into action.

Have you ever considered makin...

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Timothy Miller

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1 person likes this
- Charmane Wedderburn
3 weeks ago

I have but I have other priorities that I need to take care of. content creating has been a goal of mine for a long time but in order to do so I need financial security. taking care of my financial fr...

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Cyrus Sales

3
3 people like this
2 weeks ago

Timothy Miller That makes sense, content creation is its own job. Focusing on financial stability first is real, and it’ll make it easier to show up consistently when you’re ready....

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Shadow Dragu-Mihai

2
2 people like this
- Cyrus Sales
- Charmane Wedderburn
2 weeks ago

Cyrus Sales VFX is always a popular topic.

Liked by Oleg Mullayanov

Is California About to Change the Game for Post-Production Jobs?

Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

The weigth season 1

Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

Editors Guild Offers Praise & Warning For California Post-Production Incentives Initiative

The weight

Open to collaborations on films in development or post-production

Debut Shortfilm on Indiegogo

1 person likes this

How to Color Grade in DaVinci Resolve

1 person likes this

1 person likes this

Legacies: A Series Poster Remake by Hammad Visuals Production

Reimagining the FROM Series Official Poster

Atlanta’s ‘Hollywood of the South’ fades as film production plummets

Atlanta's 'Hollywood of the South' fades as film production plummets

2 people like this

3 people like this

Ben Affleck Is Betting on AI And Netflix Is All In

Netflix Acquires AI Filmmaking Start-Up Founded by Ben Affleck, Who Will Serve as Adviser to Streamer

2 people like this

2 people like this

2 people like this

2 people like this

1 person likes this

I could share another article…

3 people like this

2 people like this

1 person likes this

3 people like this

2 people like this

Top Contributors

CRAFT AND BUSINESS

GENERAL DISCUSSION

PROMOTION

Post-Production

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Top Contributors

CRAFT AND BUSINESS

GENERAL DISCUSSION

PROMOTION