Your Stage

Hey Roxane, this is Sandra from the Stage 32 team. I just wanted to let you know I moved your post from Producing to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Thank you so much Roxane Yoman for posting this. I really appreciate the opportunity to watch it and found it entertaining.

Hi Sandra Isabel Sandra,

Thank you so much for moving my post and for letting me know! I really appreciate it. I'm still getting familiar with the different sections on Stage 32, so that was very helpful.

Thanks again, and have a wonderful day!

Roxane

Thank you so much Darrell A Pennington for taking the time to watch it! I'm really glad you enjoyed it. I truly appreciate your kind words and your support.

Hey Fatima, this is Michael from the Stage 32 team. I just wanted to let you know I moved your post from OTT & Transmedia to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Hey JJ, this is Michael from the Stage 32 team. I just wanted to let you know I moved your post from OTT & Transmedia to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Isaac Herrera Does your package include budget, funding strategy, market analysis and revenue projections broken down by market segment and the different demographics in each market, with comps in each market... does it have a clear and definable upside for your potential partners, etc... if so send it to me.

Hey Isaac, this is Michael from the Stage 32 team. I just wanted to let you know I moved your post from OTT & Transmedia to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Good point!

Hey Darshan, this is Leonardo from the Stage 32 team. I just wanted to let you know I moved your post from Screenwriting to Your Stage, as it fits much better there. The screenwriting lounge is for discussions that benefit the community as a whole. We'd love to hear about your journey as a writer so please feel free to post a question or comment for discussion there so that we can all learn from it.Let me know if you have any questions, and all the best to you!

That's an interesting take Darshan Jaju . It is not one I subscribe to but it does really open up an additional world of options for the story.

Thanks Darrell A Pennington

Thanks! Elena Schumann

I clicked on the link for a listen, but there was only an empty folder. Do you have a YouTube channel or profile on Newgrounds where you've uploaded your samples?

Hi Colin Hussey , please download the file off of google drive to view the contents, google says it's empty but it's actually just a zipped file!

I downloaded and attempted to unzip it, but it wouldn't extract, nor would it open directly. Is there a simpler way to listen to your music? Do you have anything uploaded to YouTube or Newgrounds?

Hi Colin Hussey , sorry for the confusion, I've uploaded here: https://we.tl/t-FjhRUOLGAgxgCYXC

Thanks for the link. I gave your music a listen. I like the textures. ""Pure Punk" makes me picture the entrance of a SEAL team. "Action" would work well in a martial arts/chase movie with narrow allies.

The beat of "Chill Intro" would work well with some indie MCs that come to mind, like Denizen Kane and/or Chioke Clanton (who also works as an actor in L.A.)

With a track like "Murder Mystery", what I'd like to hear is an atonal melody above the tonal bass. That will make it sound more chilling. (This was more commonly practiced in the mid to late 20th Century in that genre of movie, due to the influence of Arnold Schoenberg, who taught at USC and UCLA in the 1930s - early '50s.)

I also encourage you to experiment with polytonality (like Ives and Stravinsky), contrapunctalism and interplay of consonance and dissonance (like Hindemith), offbeat folk harmonies (Bartok, Kodaly), unexpected modulations & resolutions (like Schubert) and the jazz theory of John Coltrane, best illustrated by the chord changes in "Giant Steps."

Since you're from London, some other 20th Century composers to listen to that I'm familiar with came to mind: Benjamin Britten, Ralph Vaughan Williams, Gustav Holst and William Walton. They're not the same genre as your music, but you still might be able to make use of the harmonies heard in their work.

Harmonic complexity can still be heard regularly in Japanese anime, but it's fallen by the wayside in the West, when it comes to movies, TV and other visual content. I hope to hear a revival in future projects--especially with the vast panoply of talent and styles I come across regularly on YouTube.

I look forward to hearing more of your work.

PS: Speaking of anime, here's an example that popped into my head: https://www.youtube.com/watch?v=N_YTmdjZwPw

Hey Chris, this is Ashley from the Stage 32 team. I just wanted to let you know I moved your post from Financing / Crowdfunding to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Thank you. I wasn't 100% sure of the best place to post.

Hi Mike, I'm a literary agent who regularly works with producers and creative professionals. I'd be happy to connect and see if there are opportunities to help move your project forward. If you're interested, let's connect and discuss how we can get your film produced.

IS it like the Hitcher??? with Rutger Howard who also played the evil android Roy Batty in the orgional Blade Runner??? One was a psycho killer Hitchiker and the other was a psyo killer robot but he played both of those character like I have never seen psycho killers being played before or since.

He did the psycho robot better than Arnold in terminator but did not get as many compliments for Rutger's interpretation of a pycho killer robot but I thought he was better than Arnold.

The intensity of The Hitcher. The cat-and-mouse aspect of it.

Hey Isaac, this is Dwayne from the Stage 32 team. I just wanted to let you know I moved your post from Animation to Your Stage, as it fits much better there. Let me know if you have any questions, and all the best to you!

Hey Pinkiii, this is Leonardo from the Stage 32 team. I just wanted to let you know I moved your post from Screenwriting to Your Stage, as it fits much better there. The screenwriting lounge is for discussions that benefit the community as a whole. We'd love to hear about your journey as a writer so please feel free to post a question or comment for discussion there so that we can all learn from it.@font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:"Times New Roman";}p.gmail-p1, li.gmail-p1, div.gmail-p1 {mso-style-name:gmail-p1; mso-style-unhide:no; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:"Times New Roman";}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:11.0pt; mso-ansi-font-size:11.0pt; mso-bidi-font-size:11.0pt; font-family:"Calibri",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}div.WordSection1 {page:WordSection1;}Let me know if you have any questions, and all the best to you!