The Stage 32 Videos: Theater

Over twenty years on stage and in front of the camera has taught me that the fastest way to deaden a performance is to walk into the room with a plan. When you sit at home calculating exactly how you want to say a line, premeditating a facial expression, or deciding how you should feel, you aren’t acting. You are just managing a safety strategy. It makes your work rigid, predictable, and physically tense. Having experience on both sides of the audition table I know that directors and casting panels do not want to see you execute a perfect, premeditated plan. They want to see what happens when the plan completely shatters, leaving only your raw, unpredictable human instinct on the line. In my private online studio, the work is strictly about dismantling that calculation. My framework is heavily rooted in Harold Guskin’s approach. Guskin teaches us that text creates an immediate acting impulse that we must use without mental censorship. Not only the text. Everything around us creates an impulse we can use – a partner’s line delivery, the physical staging, the scenery, props, or a sudden director’s note. In the exact same way, whether you are working with a spoken script, a musical theatre score, or an operatic score, everything in the environment is fuel for creativity. I use an adapted Guskin approach to help actors, musical theatre artists, and classical singers explode their dramatic performance by weaponising the material itself—all that without ever messing with their vocal or acting technique. For more info on studio availability, reach out directly in DM.

Audiences and critics agree: ‘The Young and the Rest of Us’ is hilarious, must‑see theater. TamirFilms in association with Denne Productions https://thegrouprep.com/show/theyoungandtherestofus #theyoungandtherestofus #tamirfilms #tamiryardenne #denneproductions #theyoungandtherestofusplay #theyoungandtherestofus_ #TYATROU

Audiences and critics agree: ‘The Young and the Rest of Us’ is hilarious, must‑see theater. https://thegrouprep.com/show/theyoungandtherestofus #theyoungandtherestofus #tamirfilms #tamiryardenne #denneproductions #theyoungandtherestofusplay #theyoungandtherestofus_ #TYATROU

Introducing eTheater — The Future of Global Film Premieres

This is a piece of music that I wrote for a theater play in 2022. The piece was supossed to be played in the first scene, witch is supposed to be a experimental type of theater.

Angels Get Their Wings is a crafted hour of sketch & Improv comedy that offers a candid look at the core of what defined The Dads. Performed simply with just four performers, a few chairs, and a focus on storytelling and chemistry. It defines the essence of The Dads, keep it simple and have fun.

"Caught in a fleeting 3-second moment, I'm glued to the screen, lost in the magic of theater—a grand play where emotions dance on the silver screen. Whether it's a triumph or a fleeting parade, I embrace the raw human connection it brings.

The cast introductions, 2016.

Houston, Texas I would love to have your support this weekend. I will be debuting a brand new stage play called "Still Damaged." Tickets are still on sale at www.Eventbrite.com. But Friday will be the last day to purchase tickets online. On Saturday you will have to pay at the door. Also there are no children tickets so everyone will need a ticket to attend.

I'm a theater actress with 20 years of experience and 6 years experience in film. I do monologues, recreate scenes and some original content. This is a monologue from the play, "Richard Fisher's Funeral", where Drew speaks out about her abusive father.

I'm a theater actress with over 20 years experience and 6 years of film experience. In this one act play, the Glass Coffee Table, Melanie speaks to someone only she can see.

An interview with me about my play A TERMINAL EVENT, having its World Premiere at the Victory Theatre in Los Angeles.