The Stage 32 Videos: Music

Original by Lorenzo Fresta: https://www.youtube.com/watch?v=3MnvyBi1KDU&pp=0gcJCR0AztywvtLA Originally Composed, Orchestrated, and Produced by Garrett Nelson Notation: Dorico6 Plugins: East West Composer's Cloud Production: Cubase14 Making Magic, Making MUSIC, One Listener at a Time... Follow me here! https://www.instagram.com/yokwemusicofficial/ https://yokwemusic.com/ Garrett Nelson Film Composition, Audio Production BA Music Technology

My ReScore of the short film, "Spring". Original by BlenderStudio! -The CueTube | thecuetube.com -Blender Foundation | studio.blender.org Originally Composed, Orchestrated, and Produced by Garrett Nelson Notation: Dorico6 Plugins: East West Composer's Cloud Production: Cubase14 Special Thanks: Alto Saxophone- Nate Deuel Soprano Saxophone- Tanner Crow Making Magic, Making MUSIC, One Listener at a Time... Follow me here! https://www.instagram.com/yokwemusicofficial/ https://yokwemusic.com/ Garrett Nelson Film Composition, Audio Production BA Music Technology

Original score by Blender Studio. 2025 CueTube Submission RESCORE Composed, Orchestrated, and Produced by Garrett Nelson Special Thanks: Tanner Crow (Soprano Saxophone) Nate Deuel (Alto Saxophone) Making Magic, Making MUSIC, One Listener at a Time... Follow me here! https://www.instagram.com/yokwemusicofficial/ https://yokwemusic.com/ Garrett Nelson Film Composition, Audio Production BA Music Technology

DISCLAIMER: The music and SFX for the film "Space cat Hob" were created for the Berlin International Film Scoring and Sound Design Competition and are not part of the original version of the film. Watch the original: https://www.youtube.com/watch?v=KioAAw0eMi0 I hope you enjoy this rescore from the BIFSC 2026 Scoring Competition. Notation: Dorico6 Plugins: East West Composer's Cloud, Kontakt8 Production: Cubase14, LogicPro Equipment: Yamaha 875-EX Soprano Saxophone (Selmer S90, Vandoren LC56DP) Yamaha 875-EX Alto Saxophone (Selmer S80, Vandoren LC07P) Yamaha YT-62 Tenor Saxophone (Selmer S80, Vandoren LC58AP) P.Mauriat PMB-300 Dark Lacquer Baritone Saxophone (Rousseau 4R, LC590AP) Making Magic, Making MUSIC, One Listener at a Time… Garrett Nelson Film Composition, Audio Production, Saxophone Performance BA Music Technology Follow me here! https://www.instagram.com/yokwemusicofficial/ https://yokwemusic.com/

Orchestrated and Produced by Garrett Nelson, YokweMusic original by Blender Studios Watch the original here: https://www.youtube.com/watch?v=UXqq0ZvbOnk Notation: Dorico6 Plugins: East West Composer's Cloud, Kontakt8 Production: Cubase14, LogicPro Equipment: Yamaha 875-EX Soprano Saxophone (Selmer S90, Vandoren LC56DP) Yamaha 875-EX Alto Saxophone (Selmer S80, Vandoren LC07P) Yamaha YT-62 Tenor Saxophone (Selmer S80, Vandoren LC58AP) P.Mauriat PMB-300 Dark Lacquer Baritone Saxophone (Rousseau 4R, LC590AP) Making Magic, Making MUSIC, One Listener at a Time… Garrett Nelson Film Composition, Audio Production, Saxophone Performance BA Music Technology Follow me here! https://www.instagram.com/yokwemusicofficial/ https://yokwemusic.com/

It was forbidden in Iranian music, but I did it!

This music track is provided free of charge for personal and commercial use. - This music track is registered with Identifyy (HAAWK Inc.) - YouTube Content ID. - This music track is registered with BMI (Broadcast Music Inc.). "Epic Dramatic Action Orchestra' is a powerful cinematic background music track featuring epic strings, driving percussion, and bold brass.

So everyday I set a timer for 1 hour and create whatever I'm feeling in that hour and I've decided to start sharing these sketches. This moody little cue from mv sketchbook is currentlv untitled What would vou name it? And what scene do you see playing out in your head while listening? I'Il admit was kind of in a dark place when I wrote this cue, but as long as I can harvest those emotions I don't mind the dark everv once in awhile. I imagine like an interesting opening credit scene or maybe a villain was just revealed and now we're watching someone deal with the consequences of learnina this news. The kind of scene where a single conversation could change everything. ldk I'm curious to know what you hear? Arnold Cifax Jr. Film Score Composer arnoldcifaxjr.com

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Here's a look at the finished cue inside Cubase before it's married to picture. This project was a great exercise in thematic writing, orchestration, and hitting the dramatic beats of the scene while finding a musical identity of its own. Rescoring films is always a reminder that every cue is a balance between supporting the story and giving it a fresh perspective. I'd love to hear your thoughts! Created for educational and portfolio purposes only.

After sharing the behind-the-scenes process yesterday, I've now finished my rescore of this Mission: Impossible (1996) scene. I made several changes to improve the overall flow and dramatic impact. Some of the updates include refining the thematic material, adjusting the orchestration, improving the pacing around key hit points, and polishing the mix to better support the action on screen. One thing this project reinforced is just how challenging it is to rescore a film with such a strong musical identity. Lalo Schifrin's iconic theme is deeply associated with the franchise, so the goal wasn't to recreate or compete with it, but to explore a different musical perspective while still serving the scene. Rescoring continues to be one of my favorite ways to study film music. It pushes me to think about storytelling, timing, emotion, and how music can completely reshape the audience's experience of a scene. I'd love to hear your thoughts. What worked well? Is there anything you would have approached differently? Mission: Impossible is owned by its respective copyright holders. This rescore was created solely for educational and portfolio purposes, and no copyright infringement is intended.