The Stage 32 Videos: Composer

Greg, It's All A Game

Music By William C. Louis-Brux

Penguins

Music By William C. Louis-Brux

Terminator Promo

Music By William C. Louis-Brux

Activities of Daily Living

Music By William C. Louis-Brux

The Creed

Music By William C. Louis-Brux

Sprite Fright

Music By William C. Louis-Brux

Spring

Music by William C. Louis-Brux

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Avengers - Rescore exercise (trying something different)

This is not what I usually do, but I wanted to try something different. Rather than trying to match every cut and action beat in this Avengers scene, I wanted to test an original heroic cue that will be released on 7 August. The goal was to see how the music stands on its own while still supporting the picture, instead of being driven entirely by the edit. One thing I'm particularly interested in is whether the melodies communicate that heroic feeling. Personally, I feel the French horns help give the cue its sense of strength and optimism, but I'd love to know what you hear. If you have a few minutes, I'd really appreciate your feedback: Do the melodies feel memorable? Does the music genuinely sound heroic? Which moments work best, and where could it be stronger? Thanks in advance! I'm always grateful for the honest feedback from this community—it helps me grow as a composer.

Mission: Impossible (1996) Rescore

Here's a look at the finished cue inside Cubase before it's married to picture. This project was a great exercise in thematic writing, orchestration, and hitting the dramatic beats of the scene while finding a musical identity of its own. Rescoring films is always a reminder that every cue is a balance between supporting the story and giving it a fresh perspective. I'd love to hear your thoughts! Created for educational and portfolio purposes only.

Mission: Impossible (1996) Rescore – Final Version

After sharing the behind-the-scenes process yesterday, I've now finished my rescore of this Mission: Impossible (1996) scene. I made several changes to improve the overall flow and dramatic impact. Some of the updates include refining the thematic material, adjusting the orchestration, improving the pacing around key hit points, and polishing the mix to better support the action on screen. One thing this project reinforced is just how challenging it is to rescore a film with such a strong musical identity. Lalo Schifrin's iconic theme is deeply associated with the franchise, so the goal wasn't to recreate or compete with it, but to explore a different musical perspective while still serving the scene. Rescoring continues to be one of my favorite ways to study film music. It pushes me to think about storytelling, timing, emotion, and how music can completely reshape the audience's experience of a scene. I'd love to hear your thoughts. What worked well? Is there anything you would have approached differently? Mission: Impossible is owned by its respective copyright holders. This rescore was created solely for educational and portfolio purposes, and no copyright infringement is intended.

Behind the scenes - Rescoring Mission Impossible

I spent today working on a new rescore of a scene from Mission: Impossible (1996). The cue isn't quite finished yet, but I thought it would be fun to share a little behind-the-scenes look at the process. One thing that quickly became apparent is just how difficult it is to rescore a film with such an iconic musical identity. Lalo Schifrin's Mission: Impossible theme is one of the most memorable themes ever written for film and television. Creating a completely new musical direction that still feels worthy of the scene—without simply imitating the original or sounding out of place—is a fascinating creative challenge. In this video, I walk through some of the creative decisions involved in scoring to picture, including: • Finding and creating hit points • Building thematic ideas and variations • Orchestration choices • Synchronizing the music with the action and pacing on screen A quick apology in advance: I accidentally left a gate on my microphone while recording the commentary, so the audio cuts in and out a little in places. I'll definitely make sure that doesn't happen next time! I'd love to hear how other composers approach rescoring scenes with such iconic scores. Do you try to move in a completely different direction, or do you embrace elements of the original while still making it your own? Mission: Impossible is owned by its respective copyright holders. This rescore is created purely for educational and portfolio purposes, and no copyright infringement is intended.
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