The Stage 32 Videos: Mc

Sketch 001.mp4

So everyday I set a timer for 1 hour and create whatever I'm feeling in that hour and I've decided to start sharing these sketches. This moody little cue from mv sketchbook is currentlv untitled What would vou name it? And what scene do you see playing out in your head while listening? I'Il admit was kind of in a dark place when I wrote this cue, but as long as I can harvest those emotions I don't mind the dark everv once in awhile. I imagine like an interesting opening credit scene or maybe a villain was just revealed and now we're watching someone deal with the consequences of learnina this news. The kind of scene where a single conversation could change everything. ldk I'm curious to know what you hear? Arnold Cifax Jr. Film Score Composer arnoldcifaxjr.com

Greg, It's All A Game

Music By William C. Louis-Brux

Penguins

Music By William C. Louis-Brux

Terminator Promo

Music By William C. Louis-Brux

Activities of Daily Living

Music By William C. Louis-Brux

The Creed

Music By William C. Louis-Brux

Sprite Fright

Music By William C. Louis-Brux

Spring

Music by William C. Louis-Brux

Zoltan Universe | Null Paradox

Zoltan Entertainment Our artists create | We architect the world | You become part of it Since 2000 ZoltanEntertainment.com #artist #music #liveevent #Soundtracks #videocontent #Videoproduction #Videoproductionagencies

Avengers - Rescore exercise (trying something different)

This is not what I usually do, but I wanted to try something different. Rather than trying to match every cut and action beat in this Avengers scene, I wanted to test an original heroic cue that will be released on 7 August. The goal was to see how the music stands on its own while still supporting the picture, instead of being driven entirely by the edit. One thing I'm particularly interested in is whether the melodies communicate that heroic feeling. Personally, I feel the French horns help give the cue its sense of strength and optimism, but I'd love to know what you hear. If you have a few minutes, I'd really appreciate your feedback: Do the melodies feel memorable? Does the music genuinely sound heroic? Which moments work best, and where could it be stronger? Thanks in advance! I'm always grateful for the honest feedback from this community—it helps me grow as a composer.

Mission: Impossible (1996) Rescore

Here's a look at the finished cue inside Cubase before it's married to picture. This project was a great exercise in thematic writing, orchestration, and hitting the dramatic beats of the scene while finding a musical identity of its own. Rescoring films is always a reminder that every cue is a balance between supporting the story and giving it a fresh perspective. I'd love to hear your thoughts! Created for educational and portfolio purposes only.
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