STAGE 32 Script Services

Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives

Pitch Emerson Gordon (Saturday, October 4th 2025)

Emerson Gordon

Credits include: PASSENGER, PRIMATE, VICIOUS, SECRET HEADQUARTERS and BOB MARLEY: ONE LOVE

Virtual meeting spots sold out · 1 written spot left
12:30
Sat, Oct 4

Paramount Pictures

Emerson Gordon, Development. Emerson specializes in all genres of Feature Film and TV scripts.

New Exec Pitch Ben Orell (Wednesday, October 8th 2025)

Ben Orell

Credits include: Works with Netflix, Amazon, NBC/Universal, Nickelodeon, and CJ Entertainment

9 virtual meeting and 7 written spots left
11:00
Wed, Oct 8

More Coffee Please

Ben Orell, VP, Development. Ben specializes in all genres of Feature Film and TV scripts.

New Exec Pitch Jennifer Patterson (Saturday, October 18th 2025)

Jennifer Patterson

Credits include: THE WALKING DEAD, THE BONDSMAN, SHOGUN

6 virtual meeting spots left
11:00
Sat, Oct 18

Blumhouse Television

Jennifer Patterson, Development Executive. Jennifer specializes in all genres of Feature Film and TV scripts.

Pitch S.S. (Saturday, October 18th 2025)

S.S.

Credits include: SUPER SIZE ME, RATS, THE PISTOL SHRIMPS, A DAY IN THE LIFE, MANSOME

Virtual meeting spots sold out · Written spots sold out
SESSIONS SOLD OUT!
12:00
Sat, Oct 18

Development Executive

S.S.. S.S. specializes in all genres of Feature Film and TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, Holiday, and Animation.

Pitch Jason Piette (Saturday, October 18th 2025)

Jason Piette

Credits include: The Merchant Of Venice, Head In The Clouds, Perfect Creatures​, I Melt With You

3:30
Sat, Oct 18

Founder, Disrupting Influence (BAFTA-Winning Producer)

Jason Piette. Jason specializes in most genres of Feature Film and TV scripts and is currently reading Drama, Thriller, Rom Com, Horror and Action.

Pitch Alfredo Marun (Saturday, October 25th 2025)

Alfredo Marun

Credits include: KIPO & THE AGE OF WONDERBEASTS, DRAGONS: NINE REALMS, THE MIGHTY ONES, and ZOMBIES: THE RE-ANIMATED SERIES

8 virtual meeting spots left
10:00
Sat, Oct 25

Creative Producer (Formerly at Disney, DreamWorks, Sony)

Alfredo Marun. Alfredo specializes in all genres of Feature Film and TV scripts and is currently reading Comedy, Family, Action, Sci-Fi, Fantasy, Holiday, and Animation.

Pitch Arnica Miakista (Sunday, October 26th 2025)

Arnica Miakista

Credits include: Works with IMG, BLACKBOX MM, SPIER FILMS

1:00
Sun, Oct 26

Independent Producer

Arnica Miakista, Producer. Arnica is open to Film and TV in the Drama, Family, Horror/Thriller, specifically, Drama and Rom-Coms. Please no Faith, Holiday, or Unscripted/Reality/Game Show.

Pitch Nat Topping (Saturday, November 1st 2025)

Nat Topping

Credits include: MR. RIGHT, THE CALL, THE ROAD WITHIN, CAREFUL WHAT YOU WISH FOR, FEAR INC.

10:30
Sat, Nov 1

Amasia Entertainment

Nat Topping, Creative Executive. Nat specializes in all genres of Film and TV scripts and currently reading Horror, Thriller, Comedy, and Drama.

So here's what's working for me at Stage 32: Pretty much everything. And I think it's useful to know what's possible here. I've been using the premium coverage service so that I can choose the exec who provides me coverage. It's always a good idea, I think, to select someone from a company that produces in your genre. I've received good to great notes each time, and I've had my script passed along for consideration within my reader's company several times. Recently one such script resulted in a multi-year option offer. Twice my scripts have made the Stage 32 LookBook, which is blasted out every so often to industry execs with info on the scripts that have earned a double recommend or, as I believe is now the case, at least one recommend and one consider. I've had a total of three script requests via the LookBook, including from an A-list manager and an A-list production company. More recently, I joined the Writers' Room, which offers a smorgasbord of activities and opportunities (that I would particularly recommend to writers at an early stage and those at later stages with a lot of time to devote to screenwriting), and have begun submitting to the Open Writing Assignments, or OWAs, that spring up fairly regularly now. An A-list production company recently requested one of my scripts.   Bear in mind I've been at this game for a while now, and I have a half dozen scripts under my belt already, so your mileage may vary.
Eric Christopherson
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