STAGE 32 Script Services

Pitching • Coverage • Consultations • Personal Attention • 500+ Managers, agents, producers and executives

11th Short Film EXT

Popular Genres

Pitch Alexia Melocchi (Saturday, April 18th 2026)

Alexia Melocchi

Credits include: Duran Duran with David Lynch, Lazarus Rising, American Fango, Citizen Hacked, Blue Pearl

6 written spots left
10:00
Sat, Apr 18

Little Studio Films

Alexia Melocchi, International Producer. Alexia specializes in all genres of Feature Film and TV scripts and is currently reading Thrillers, Family, Rom-Com, Novelizations, and docuseries.

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Pitch Andy Richley (Sunday, April 19th 2026)

Andy Richley

Credits include: MAD MEN (AMC), WEEDS (SHOWTIME), NURSE JACKIE (SHOWTIME), BOSS (STARZ), THE ROYALS (E!), and ANGER MANAGEMENT (FX)

Virtual meeting spots sold out
6:00 PM PDT
Sun, Apr 19

Allen Media Group

Andy Richley, SVP, Production & Content. Andy specializes in all genres of TV scripts and is currently reading Drama, Comedy, Horror, Thriller, Action, Sci-Fi, Fantasy, True Story, Biopic, Unscripted, and Animation

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New Exec Pitch Levi Port (Sunday, April 26th 2026)

Levi Port

Credits include: ALL FUN AND GAMES, COMING OF AGE, HOW TO BEFRIEND YOUR EX

10:00
Sun, Apr 26

Worked with CAA, ABGO

Levi Port, TV & Film Development. Levi specializes in all genres of Feature Film and TV scripts

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New Exec Pitch Brandon Norman (Sunday, May 3rd 2026)

Brandon Norman

Credits include: I THINK YOU SHOULD LEAVE WITH TIM ROBINSON, THE ROAST OF TOM BRADY

2:30
Sun, May 3

Creative Executive (Worked with UTA, Lionsgate)

Brandon Norman, Creative Development Executive. Brandon specializes in all genres of Feature Film and TV scripts.

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I came to know about Stage32 recently. 3 years ago I decided I was going to concentrate on composing music for Film. ( I had been concentrating on Classical Pianists before that, trying to get my Solo's performed by touring Concert oriented performers, and had some good luck in getting noticed by Henry Fogel, whom has been the President of both the New York Philharmonic Orchestra, and the Chicago Symphony Orchestra) But his advice to me was simple....I was good....but for every possible commission in the Classical Business, there were at least 1000 composers trying to get the commission. Still, I am a determined man, and simply moved my concentration to the love of mine, movies. My family, friends, acquaintances all thought I was crazy, and gave little or no support for my endeavor. Perhaps the Glittering Stories of Possible Success just seemed to far out of reach for anyone to them. But not to me. I only have one life on this earth, and a belief that what I do helps create peace, and joy, for people. 2 years into the 'move to film' I was still out of work. Living in a $500 a month 'Room on the North Side of Chicago near Wrigley Field. I managed to put together an art exhibit ( Having left a fruitful career as a visual artist I thought I could make enough to get the equipment I needed for scoring films) And suprisingly all the works in my art fair exhibit sold, and with the proceeds bought a Mac Book with GarageBand, and a keyboard Controller. And then I went into the wood shed and simply started conjuring scene ideas and scoring them musically. Letting the Family hear the pieces, they thought me daft and could not fathom what I was trying to accomplish. One day, as I was on a bus going to the grocer, I passed a location shoot taking place at Ann Sathers on Broadway in Chicago. I hopped of the bus, as I always do when I see a film being made, and introduced myself to the crew. Before long, I was standing next to one of the producers and getting a little insight into the film and the production frames. Telling the Producer I was once a Music Director in The Second City certainly helped. And it got me 2 minutes with the very busy Director
Wesley Curry II
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