a's Photos
I’m excited to present the new poster of this short film, designed by me. A short film inspired by Mirror - 1975, St. John Passion (BWV 245) - 1725 / In respect to Andrei Tarkovsky and Johann Sebastian Bach. You’re invited, dive into the stories now: https://vimeo.com/796011910?fl=pl&fe=sh #4072705822797343928
Trailer of a short film on the horizon… and the massive Summer 2026 edition rises. THE ODYSSEY vs. INTERSTELLAR — History vs. the Future I’m happy and excited to share this re-imagining with you — something I created just a day after the Odyssey 26 trailer premiered. The link is yours now. I hope it reaches you in some way. Coming right here… the Su-26 short film by ER: https://www.youtube.com/watch?v=KFNKg6OXHgw #3965695429143703262
I’m excited to present the new poster of this exhilarating short film, created and designed by me. EDGE of DARKNESS, a crystalline, fragile short film that distills Persona’s sensory core into a concise, time‑bending narrative. Now let’s dive into the story: https://www.behance.net/gallery/239577447/KINEMA-PERSONA-EDGE-of-DARKNESS
No. 03/ Robert McKee, a wise voice on storytelling, highlights an important point: The Climax of the last act is your great imaginative leap. Without it, you have no story. Until you have it, your characters wait like suffering patients praying for a cure. Once the Climax is in hand, stories are in a significant way rewritten backward, not forward. The flow of life moves from cause to effect, but the flow of creativity often flows from effect to cause. An idea for the Climax pops unsupported into the imagination. Now we must work backward to support it in the fictional reality, supplying the hows and whys. We work back from the ending to make certain that by Idea and Counter-Idea every image, beat, action, or line of dialogue somehow relates to or sets up this grand payoff. All scenes must be thematically or structurally justified in the light of the Climax. If they can be cut without disturbing the impact of the ending, they must be cut.
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