I like to work in sounds from objects found in the character's environments. One film I worked on I used a shovel with hammer, and a pencil scratching paper both as rhythmic elements for the two leads of the picture.
I’m pretty sure I know what I’m doing, but don’t take my word for it. Let’s connect and chat about how I can help you tell your story as a composer!
Been woodshedding scary movies and scores looking at what makes the scares truly scary (at least on first viewing), and ended up in the way back machine, so here’s a shout-out to the spooky films OG...
I like to work in sounds from objects found in the character's environments. One film I worked on I used a shovel with hammer, and a pencil scratching paper both as rhythmic elements for the two leads of the picture.