Anything Goes : Script Under Active Producer Review: Best Strategy for Approaching U.S. Managers? by Vandan Arora

Navigating some active interest right now and looking for advice. I have a 101-page grounded psychological horror feature that was a Semi-Finalist in the LA Crime and Horror Film Festival. It’s currently under active review with an international producer, but I am unrepresented and specifically seeking a U.S. literary manager to partner with. Because I’m flying a bit blind on how to handle the domestic side if this script moves forward, what is the best protocol? Should I be aggressively querying U.S. managers right now using this active read as leverage, or should I wait until the producer gives a final verdict before reaching out to U.S. reps?