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As a viral faith spreads across the globe through a mysterious tech visionary, a disillusioned Middle Eastern journalist risks everything to expose the truth: the so-called messiah may in fact be the Antichrist—engineered through artificial intelligence, spiritual prophecy, and human desperation.
SYNOPSIS:
Maya Rahimi is a once-celebrated investigative journalist, now in self-imposed exile after exposing a corrupt regime in Iran. Scarred, skeptical, and hiding in Europe, she watches with growing alarm as a new spiritual leader rises from the East—charismatic, untouchable, and disturbingly beloved.
His name is Rahimi—a man with piercing serenity, godlike presence, and an ability to sway global opinion through a “belief-based operating system” that’s being adopted by governments, militaries, and even churches. The irony? He shares Maya’s last name.
At first, Maya thinks he’s another techno-savior, a billionaire with messianic delusions. But things don’t add up. People claim healing after viewing his sermons. Miracles. Visions. Unity. But also... violence. Mass delusions. Cult suicides. Worldwide surveillance masked as spiritual outreach.
Maya starts to follow the trail—and it leads to Mirza, a neuro-programmer and architect of Rahimi’s “divine algorithm.” But Mirza is no blind follower. He's a true believer in the digitization of divinity—a theology engineered through code. To him, “God” is not a being... it’s a system upgrade.
As Maya investigates, she’s hunted, gaslit, and spiritually attacked. Her skepticism is tested. Ghosts from her past resurface. An old mentor dies mysteriously. Strange signs appear—biblical in nature. And the deeper she goes, the more she begins to suspect: Rahimi is not a man at all.
Or rather, he’s not just a man.
He may be the Antichrist—or something worse: a synthetic messiah built to fulfill every prophecy, absorb every religion, and seduce the world into peaceful submission.
But the twist? He might believe he’s doing good.
As cities fall under his influence and nations kneel, Maya is forced to unite with a secret order of theologians, exorcists, and digital monks hiding in the shadows of Rome, Jerusalem, and Mecca. They believe in an ancient truth: that evil does not always arrive with horns—but with hope.
In a heart-pounding finale, Maya must choose whether to publicly denounce Rahimi—risking a global war—or disappear forever and let humanity embrace its false salvation. One voice against billions. One woman against the software of belief itself.
WHY IT WORKS:
The Antichrist is not just a religious thriller—it’s a terrifyingly plausible exploration of how faith, AI, and global loneliness can birth a false savior.
In the age of algorithmic gods and digital spirituality, this story feels eerily prescient. It taps into current cultural fears: unchecked tech, blind faith, global manipulation, and the hunger for spiritual meaning in a collapsing world.
Maya is the emotional anchor. She’s not a superhero—she’s flawed, angry, grieving, yet courageous. Her journey from trauma to truth offers a character arc as powerful as the metaphysical war she uncovers.
The film is grounded in geopolitical realism, layered with theological mystery and tech-thriller urgency. Think The Da Vinci Code meets Her meets Children of Men.
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