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THE COOK

THE COOK
By S.J. Jeppsson

GENRE: Period Piece, Drama
LOGLINE:

In 1912, an English baker’s daughter and a wealthy American heiress - strangers who look remarkably alike - exchange identities in pursuit of the lives they each secretly desire. But when disaster strikes and only one survives, their temporary deception becomes permanent, forcing the survivor to inhabit another woman’s life, love and legacy. 

SYNOPSIS:

THE STORY

Eighteen-year-old Katherine “Kate” Cooke has spent her life in the Hampshire village of Titchfield, working beside her widowed father in the family bakery. Having lost her mother at eight, Kate is deeply rooted in the home and family she loves, yet longs to see the world beyond it.

At boarding school in Fareham, eighteen-year-old American heiress Lydia Weatherby has everything Kate does not: wealth, education and social position. Raised by a beloved governess who taught her that character matters more than status, Lydia nevertheless faces a future she did not choose - including an arranged marriage to Lord Thomas Hollingsworth, heir to an English earldom and a centuries-old estate he has been raised from childhood to preserve.

Yet Lydia feels every bit as trapped by privilege as Kate does by circumstance.

Their lives converge in April 1912 when Kate is engaged as Lydia’s traveling companion and lady’s maid for her return voyage to New York aboard RMS Titanic.

Aboard ship, Lydia encounters Gideon Christopher, a Belfast-born Irish-American cook recently returned from five years in the French Foreign Legion. Restless after years abroad and uncertain whether he is ready to inherit his own family’s life in Brooklyn, Gideon represents something Lydia has never possessed: the freedom to choose what comes next.

Kate, meanwhile, experiences Lydia’s world from its edges - a world of first-class privilege and possibility.

And the two young women discover something extraordinary: they can pass for one another.

What begins as a private experiment becomes an audacious plan. Desperate to escape the expectations of the Weatherby name - and the marriage and future already chosen for her - Lydia convinces Kate to exchange identities. Lydia will disappear into third class with Gideon, while Kate, however briefly, will inhabit a life unconstrained by class and circumstance.

Then Titanic strikes the iceberg, and behind locked gates below deck, Lydia and Gideon both perish. Kate survives and is rescued as first-class passenger Lydia Weatherby.

On arrival in New York, Kate faces an impossible choice. To tell the truth means explaining why Lydia died below deck - and why Kate survived carrying Lydia’s ticket and wearing her clothes. It means exposing Lydia’s secret plan to abandon the life chosen for her and run away with Gideon, a man far below her station.

Kate chooses to protect Lydia’s secret. She chooses silence - and inherits everything: Lydia’s name. Lydia’s family. Lydia’s fortune.

And Lydia’s future with Thomas Hollingsworth.

THE SERIES

Across three finite seasons, the lives of Kate, Lydia, Gideon and Thomas unfold alongside one another. Beginning in the weeks before Titanic’s maiden voyage, the series reaches into their formative years, revealing how four lives separated by class and circumstance move unknowingly toward one another.

Season One introduces all four in the spring of 1912, then reaches into their childhoods as their stories unfold toward the present, culminating with Titanic’s arrival in Southampton, Gideon already aboard.

Season Two begins with Kate and Lydia boarding Titanic. Their voyage unfolds alongside the adolescent histories of all four characters, illuminating the choices that bring love, deception and disaster. It ends on April 15 with Thomas boarding a ship for New York, believing Titanic’s passengers survived and carrying the engagement ring with which he intends to formally propose to Lydia Weatherby.

Season Three brings Thomas to Weatherby House - and face-to-face with Kate pretending to be Lydia. As another woman’s future becomes her own, Kate’s abandoned life in England and the truth buried beneath the North Atlantic threaten everything she has become.

At its heart, The Cook is about the identities society assigns us - through birth, class, gender, wealth and expectation - and what happens when one is given the terrifying opportunity to choose her own fate.

Abraham Lith

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Abraham Lith

What inspired you to write this, I'd love to know more, Jeppsson. Thanks.

Nate Rymer

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S.J. Jeppsson

Thank you for the ratings!

Abraham, I had the story of the two girls in my head for probably twenty years before I finally had the opportunity to take a year and a half off work, sit down, and write the novel. I did extensive research on Titanic and Edwardian-era customs as I was writing as well.

Titanic is more of a plot point in the story, a catalyst that moves everything forward. In the end, The Cook is about the lives we're born into, whether fate or choice drives us, and how the choices made in one life reverberate outward and affect those around us.

It's definitely not a retelling of the disaster itself. Even in the screenplay, the sinking is experienced through the principal characters and what is happening to them in that moment. There are no grand, sweeping views of the ship sinking.

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