THE STAGE 32 LOGLINES

Post your loglines. Get and give feedback.

WRAITH
By Simon Shih

GENRE: Action, Drama
LOGLINE:

Six years after a criminal crew killed his partner, a hollowed-out vigilante finds a man in a doorway who survives things nobody survives and starts sitting across the street from him night after night with an offer, not knowing the man is the one who led that crew, has been living outside ever since, and recognized his face before he ever gave his name.

SYNOPSIS:

Cold open, six years ago. The Six are eleven minutes into a clean job at a financial institution when Sentinel comes through the wall. Marcus Holt is the immovable thing in the middle of any room he enters, and his partner Circuit, Damon Cole, is younger and sharper and still whole. The extraction turns into a running fight. Calvin Mercer, cornered, tears a support beam out of the ceiling and throws it at Damon in the open. Marcus is already moving. He takes it in the chest, goes down, and gets back up the way he always does, except his left side does not answer right.

Jason Lee sees it. He has spent the night working the edges with Calvin's strength borrowed off a single contact, reading three engagements at once, and he goes still in the middle of a battle. Then he closes three steps and hits Marcus with everything, and Marcus does not get up.

Jason turns for the exit ahead of his crew, the way he always is. Then he hears something behind him that is not the battle. He comes back around the corner, and what he sees there is not shown to us, and it takes his life apart from the inside. Damon is forty feet away on his knees with both hands on Marcus, making a sound that is not language. Marcus tells him he is okay. His eyes are completely clear, and that is the worst part. Damon gets his hands under him and lifts. The camera turns back on the empty corridor and finds Jason standing at the far end of it, not moving, the man he was thirty seconds ago already gone.

Present. Damon works alone out of a base he has never rearranged because Marcus arranged it. There is a chair nobody sits in and a photograph he does not look at. On the wall, a board with six codenames. Five have six years of cold intelligence under them. The sixth says SHIFT and has nothing.

He clears a hostage situation in thirty-eight seconds and leaves before anyone can ask who he is. Detective Nora Shaw runs interference for him from inside the department, currently against an alderman pushing a registration bill who keeps invoking a woman and a child killed in a superhuman altercation six years ago. Nora has a file on that. The next-of-kin record has a husband's name in it and a location redacted by a federal flag the week it happened, and she has spent years trying to find out who authorized it.

In the Ninth District, a panicking enforcer picks up a parked car and throws it at a man asleep in a doorway. Damon is too far. The car lands. Then the man sits up, looks at his own hands with something older than surprise, and his wounds start closing.

Damon crosses the street and crouches to his level. What he sees up close is worse than it looked: years of drinking worn into the skin, a tremor that has nothing to do with the car. But behind the fog, for a second, something that does not belong to a drunk in a doorway. Damon tells him he could use someone like him. The man gets up on his own and walks away.

Damon comes back the next night. And the next. He sits on a stoop across from the doorway and waits, and mostly they do not talk. On the third night he leaves food on the stoop and goes without waiting, and Jason picks it up and eats standing in the middle of an empty block, and afterward folds the wrapper into his coat without asking himself why. That night he goes into a condemned stairwell, takes out a photograph of a woman and a girl at a kitchen table, and tells them he met someone.

By the fourth night Jason is the one who speaks first. Damon tells him what he is looking for: six people, one thing in particular six years ago, and that he wants to finish it. Jason asks whether that means justice or something else, and Damon says he knows there is a difference. Jason says he lost someone too, and that is why he stopped. Damon asks what happened to him after, and Jason gestures at the doorway and says this.

Damon asks him to come look. Not decide, just look. Then he explains why he sat on a stoop for three nights and left food, and the answer is that he did not want Jason to think he was invisible. Jason asks his name. Damon gives him the civilian one without hesitating. Jason gives him Jin, and it comes out clean, the way practiced things do.

After Damon turns the corner, Jason takes out the photograph and holds it, and the corridor comes back to him. A man on his knees beside Marcus Holt. That face, younger. His mouth shapes the name he has known for years. He says he knows who Damon is.

Elsewhere, Dennis Falk sits in a van he has been listening from for six years and logs a new variable: Circuit has a partner, and a detective just tripped one of his financial tripwires. He calls a number on a prepaid phone and is told something he refuses to accept without data. Nora writes a statement, deletes a sentence about the woman and the child, types it again, and leaves it in. And Damon stands at the board and adds a seventh column with no codename and one question in block letters: WHO SENT THE TIP? Somebody called it in that night. Somebody told them The Six would be there. He never asked who.

Marcos Fizzotti

Rated this logline

register for stage 32 Register / Log In