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ACTRESS WANTED TO PLAY APHRODITE
By Ismael Camargo
Who's the best actress to play Aphrodite?
As Tarantino, Woody Allen, Kevin Smith debate this, Aphrodite herself joins the banter. She Knows everything about movies, history, Vinci, theology, love, etc. One of them discovers She's not Aphrodite, but Minerva.
SYNOPSIS:
Title: Actress Wanted to Play Aphrodite
Quentin Tarantino, Woody Allen, and Kevin Smith meet to discuss who is the best actress to play Aphrodite. What begins as a heated discussion about art, cinema and erotism intensifies when Aphrodite herself materializes in the room.
Aphrodite fascinates the directors with her intelligence, personality, beauty, and elegance, enriching the discussion with secrets that humans cannot even imagine; she rejects the historical consensus, asserting that Leonardo da Vinci was not gay. She tells the true story of Helena's loves and, through her divine power, gives us the true portrait of Helena's great love, who was neither Menelaus nor Paris, but a guy who looked like a scoundrel and was the Casanova of his generation.
In this story, there is no drama; it's 90 pages of witty dialogue. It's suitable for impersonators and a beautiful actress who can dress with elegance: the script demands as many costume changes as occurred with Shirley MacLaine in "What a Way to Go!" Naturally, the story requires the use of special effects.
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Hi Ismael Camargo - The logline portion is simply for posting of your logline and getting feedback from members on the clarity of your story. What you've actually posted would make a great discussion for the acting lounge! https://www.stage32.com/lounge/acting
A logline is a one-two sentence, concise description of what your screenplay is about. Here's a template so that you can get an idea of what one looks like: “After ______ (the inciting incident/the event that sets the plot in motion), a _______ (an adjective and the protagonist's position/role) tries to _______ (goal of story) so/in order to ________ (stakes).”
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