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WHAT A WONDERFUL WORLD
By Josiah Cosgrove

GENRE: Drama, Biopic / True Story
LOGLINE: Behind the legendary grin and the golden trumpet lies the untold story of a man who played for the mob, fought for his dignity, and revolutionized music—proving that creating a "wonderful world" required a lifetime of survival.

SYNOPSIS:

In 1967, an aging and physically ailing Louis Armstrong prepares to record "What a Wonderful World" in a Las Vegas studio. As he looks at his trumpet, the narrative flashes back to his youth in New Orleans, navigating a childhood of intense poverty and discovering his genius for the cornet while confined to a juvenile waif's home. By the 1920s and 1930s, Armstrong’s revolutionary jazz styling and unmatched virtuosity with the trumpet catapults him to fame. However, the jazz age forces him into a dangerous tightrope walk. To secure steady gigs and protection in a deeply segregated industry, Armstrong is forced to play in clubs controlled by ruthless mobsters. He forms a complex, decades-long alliance with his fierce manager, Joe Glaser, a man with heavy mob ties who fiercely protects Armstrong's career but treats him as a lucrative asset. While his peers criticize his broad, smiling stage persona as a relic of minstrelsy, the film reveals the grueling internal toll this "legendary grin" takes on Armstrong, who uses it as a shield to survive and protect his musicians in a violently racist America. As the Civil Rights Movement intensifies in the 1950s, the pressure on Armstrong reaches a boiling point. Trapped between the expectations of a younger, more radical generation of Black artists who view him as complacent, and the white establishment that wants him to remain a apolitical entertainer, Armstrong reaches his breaking point during the 1957 Little Rock integration crisis. Risking his entire career, his safety, and his contract with the U.S. State Department as a "Goodwill Ambassador," Armstrong publicly condemns the government's inaction, finally utilizing his massive global platform to fight openly for his dignity. Back in 1967, despite ABC Records executives hating the slow, melodic track and trying to block its release, a defiant Armstrong pushes forward. Facing a failing body, he pours a lifetime of survival, trauma, and unyielding hope into the microphone. The film ends with a montage of his life’s trials dissolving into the universal beauty of the song, proving that his joy was not compliance, but his ultimate form of resistance.

Sijun Cui

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Josiah Cosgrove

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Jim Boston

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Oleg Mullayanov

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Minh Nguyen

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Marcos Fizzotti

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Josiah Cosgrove

Thanks for all the support on this logline, guys, I really appreciate it!

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