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THE EXCHANGE

THE EXCHANGE
By Rick Barham

GENRE: Science Fiction
LOGLINE:

Crushed by grief after losing her fiancé, Charlotte uses her prototype to resurrect him inside his twin, then weaponizes her pain into The Exchange, a global service built on the fantasy that no one ever has to say goodbye again, no matter the cost.

SYNOPSIS:

Series Premise & Tone

The Exchange is a grounded, near-future sci-fi thriller about a grief-stricken founder who turns an unforgivable personal violation into the most coveted technology on Earth: a way to swap lives. Charlotte Stone, a brilliant but emotionally volatile engineer, can transfer memories and identity between two people. Her first use of the tech is not a test, it’s a panic-attack prayer at the scene of a car crash, when she forces her dying fiancé’s mind into his twin’s body without either brother’s consent.

That unconsented act becomes the original sin of a global industry. As Charlotte and her father Andrew attempt to contain the fallout, their rivals in the Fenwick family and a ruthless fixer, Karl Weber, see only a trillion-dollar market: a world where the rich can literally “trade up” their lives, the guilty can disappear into new identities, and the grieving can pay to keep their dead “alive.”

Tonally, the series sits beside Severance and Dark Matter: cinematic, character-driven sci-fi where the emotional stakes are as sharp as the tech. The show is sleek and tense but always anchored in messy, human feelings—grief, guilt, entitlement, and the terrifying question underneath it all: if you could live the life you want instead of the life you have, what would you do to get it…or keep it?

Format & Comparables

  • Format: One-hour, serialized drama; 8–10 episodes per season.
  • Genre: Sci-fi thriller / family power saga with a strong emotional spine.
  • World: Present-day Bay Area and global financial/tech hubs; the “cloud” as both literal infrastructure and battleground.
  • Comparables: Severance, Dark Matter, Ex Machina, Black Mirror, Industry (for the power and money play).

Pilot Summary

Teaser – The unforgivable choice. On the eve of her wedding, Charlotte Stone rides with her fiancé Josh Fenwick and his twin brother Jared. A sudden collision leaves Josh dying in front of her, pinned and unreachable. The EMTs say there’s no time. Charlotte, in shock and unable to accept that this is goodbye, makes the decision that will define the series: she launches her secret X-App prototype, scans Josh’s eyes, then Jared’s. EXCHANGE COMPLETE. She doesn’t save Josh’s life; she hijacks it, forcing his memories into his brother’s body as an act of weaponized grief.

Aftermath – Grief looking for a loophole. In the days after the crash, Charlotte drifts through Josh’s funeral in a dissociated haze, clinging to one idea: she didn’t lose him completely. When Jared blurts out intimate details only Josh would know, Charlotte sees proof that the transfer worked. For a moment, it feels like a miracle. Her father, Dr. Andrew Stone—quietly sitting on government-funded research into neural entanglement—recognizes something far more dangerous. At home, he confronts Charlotte. She confesses she stole his equations, built them into her phone, and used them on the brothers. Andrew calls it what it is: a violation of both men, born from grief but with world-shaking implications.

Collateral damage – Secrets, leverage, and blood. Meanwhile, Josh and Jared’s father, Lawrence Fenwick, is collapsing under the weight of his own losses: a dead son, a fractured marriage, and a business empire exposed. His wife Melissa runs from her pain into an affair with Andrew. Lawrence, suspicious and desperate, hires his old war buddy Karl Weber to tail her. Weber discovers more than infidelity; he photographs the equations hidden in Andrew’s wall safe—proof of a working mind-transfer protocol.

Lawrence brings the copied formulas to Dr. James Davenport at Caltech, looking for answers. Davenport realizes the math is real and reproducible. Before he can act, Weber—pretending to be Special Ops—extracts the intel he needs and murders Davenport, staging it as a drug incident. A man dies because Charlotte could not bear to let Josh go. The body count is now directly tied to her grief-driven choice.

Escalation – When love won’t stay in its lane. Jared’s “waking dreams” and emotional swings intensify. He remembers things he’s never lived, feels love for Charlotte that isn’t entirely his own, and flashes back to doing illicit code work for his father that he never actually did. It’s Josh bleeding through. For Charlotte, those glimpses are both intoxicating and terrifying; she’s looking at the man she loves inside a man she’s never chosen, knowing she put them both there. She considers extracting Josh and parking him in the cloud as data, but can’t bring herself to “kill” his memories a second time. Her grief keeps rewriting the ethics: if she can build a controlled, “ethical” version of this as a service, maybe she’s not a monster, just a visionary ahead of the curve.

The shot – Turning pain into a product. Weber moves from blackmailer to would-be partner, pressing Andrew for access to any physical prototype and threatening to expose the affair. Andrew denies everything. Shortly after, someone ambushes Andrew outside his house, firing three shots. He survives, barely. In the hospital, stripped of excuses, Andrew admits the affair to Charlotte, but quickly pivots: they are in a shadow war now. To survive, they must play dumb, appear cooperative with Weber, and quietly steer him into destroying his own sponsor.

It’s here that Charlotte fully confesses the darkest part of what she’s done: she never reversed the transfer. Josh is still inside Jared. Jared is effectively a merged person because she couldn’t let go. Andrew doesn’t absolve her—but he does what the series will do over and over: take her grief-driven crime and fold it into a larger strategy.

Pilot close – From one stolen life to a marketplace. Weber, dazzled by what he now understands, proposes a government-only lease on the tech while planning a black-market auction on the side. Charlotte sells him a bigger dream: a member-driven platform—The Exchange—where vetted clients can trade lives, erase mistakes, or buy their way into a better future. If everyone can do what she did in that car (minus the crash), maybe her original sin starts to look like a prototype rather than a crime.

The pilot ends with the board set:

  • Charlotte and Andrew agree to “partner” with Weber while quietly plotting his downfall.
  • Jared, living proof of The Exchange, is pulled between identities and loyalties.
  • Lawrence realizes Charlotte has done something to his sons and steps fully into the game.
  • Davenport’s death marks the first visible casualty in what’s becoming a covert arms race over identity itself.

Charlotte’s grief created the tech. By the end of the pilot, it has also created the war.

The Hook (Series Engine & Season One)

  • Grief as origin story and ongoing engine. Every season, Charlotte’s original sin—forcing Josh into Jared—echoes forward. New “exchanges” are pitched, financed, and weaponized, but the show always returns to the question that started in the car: what does it really mean to love someone if you’re willing to overwrite another person to keep them?
  • The marketplace of lives. As The Exchange moves from back-channel prototype to elite service, each episode features a high-stakes “case” that tests the rules of the system: a billionaire trying to escape prosecution, a political figure wanting a new body, a grieving parent who refuses to accept a child’s death. These aren’t stand-alone procedurals; they’re pressure points that force Charlotte, Andrew, Jared, Lawrence, and Weber into deeper conflict.
  • Family power saga with a sci-fi twist. On one side: the Stones, who birthed the tech under government contracts. On the other: the Fenwicks, who see it as the ultimate financial instrument. Weber and his invisible backers exploit both, trying to own the pipeline. The series plays as a family feud, a corporate thriller, and an espionage story—only the weapon is identity itself.
  • Jared as living powder keg. Jared is both victim and asset: the only successful full-scale exchange, carrying the memories of a dead brother and the expectations of two families. His evolving sense of self—who am I, and who do you need me to be?—is the show’s emotional detonator. When Jared finally asserts his own identity, he can blow up the entire system.
  • “Anyone can live the life they want—no matter the cost.” This is the fantasy that sells The Exchange to the world and the moral question that sells the show to an audience. Season One tracks the tech’s climb from secret sin to premium product, then to public scandal as the first exchange goes catastrophically wrong. Charlotte’s arc is simple and devastating: the deeper she leans into her grief-built creation to justify what she did, the harder it becomes to deny the bodies it leaves behind.

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