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WHACKAMOLE
By Rash Bohemian
SYNOPSIS:
WhackAmole is a gripping neo-noir crime thriller set in the heart of Abuja, Nigeria, that plunges viewers into a dark world of betrayal, survival, and systemic corruption. When a seasoned crime lord and his gang orchestrate the high-stakes kidnapping of a senator’s daughter, their fragile alliance rapidly unravels as suspicion of a mole ignites paranoia and deadly violence. Amidst the backdrop of a city teetering between order and chaos, WhackAmole explores the human cost of crime and power, weaving intense action sequences with deeply layered characters grappling with loyalty, morality, and desperation. Richly textured with Nigerian cultural authenticity—replete with Afrobeat-inspired soundtracks, urban settings, and sociopolitical undercurrents—the film offers a fresh and compelling voice in global cinema. More than just a thriller, WhackAmole is the seed of a versatile franchise, poised to expand with character-driven sequels, spin-offs, and immersive storytelling across multiple platforms. It captures a unique intersection of raw narrative grit and cultural resonance, inviting audiences worldwide into a thrilling, morally complex journey that leaves them breathless and craving more.
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WHACKAMOLE sounds gripping and thrilling, Rash Bohemian.
Your logline is more of a long tagline. Here’s a logline template that might help: After/when ______ (the inciting incident/event that sets the plot in motion), a _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s job/career/role) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes).
The inciting incident can also be at the end of the logline: A _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s job/career/role) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes) after/when ______ (the inciting incident/event that sets the plot in motion).
Loglines are one or two sentences. A one-sentence logline sounds better, and it takes less time for a producer, director, etc. to read it. Try to keep your logline to 35 words or less. Long loglines can make producers, directors, etc. pass on a project.
Avoid using “must” in loglines. “Must” usually means the protagonist is forced to do whatever they need to do in the story instead of doing it willingly. You might need to use “must” in a logline though, like when the protagonist is forced by another character to do something. Using “must” to choose between two options is fine.
Names in loglines are usually for biopics, well-known stories, and franchises (like Mission: Impossible).
Sometimes I put the location and date that the story takes place in instead of the inciting incident if it’s a Period Piece script.
All stories don’t follow this logline template. Biopics, documentaries, and Experimental scripts might not follow the template. The series logline for a TV show can follow this template, but the pilot logline and episode loglines for the show might not.