THE STAGE 32 LOGLINES

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BEHIND THE REDWOOD CURTAIN
By Loreen Hackett

GENRE: Drama, Comedy
LOGLINE:

After being torn from the only home he ever loved at fifteen, a sharp-witted small-town kid grows up to preserve his past through stories——true-life vignettes that explore not just what he left behind, but what leaving helped him understand.©️


SYNOPSIS:

Behind The Redwood Curtain is a grounded, voice-driven dramedy, serialized anthology, based on true events. It's about a boy who never wanted to leave—but had to. Torn from hometown at fifteen, he spends a lifetime keeping the past close, revisiting the stories that made him.

Through memory, voiceover, and the quiet irony of distance, he comes to realize the heartbreak of what he missed by leaving… and the strange grace of what he was spared. Because sometimes the act of leaving is the only way something stays intact.

Maurice Vaughan

Rated this logline

Maurice Vaughan

Small Town Guy sounds really unique, Loreen Hackett. Catchy tagline!

I think your logline is more of a quick pitch. Here’s a logline template that might help: After/when ______ (the inciting incident/event that sets the plot in motion), a _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s title/job/career) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes).

The inciting incident can also be at the end of the logline: A _______ (the main flaw the protagonist has to overcome in the script or an adjective that describes the protagonist’s personality) _______ (the protagonist’s title/job/career) tries to/attempts to/fights to/struggles to/strives to/sets out to/fights/battles/engages in/competes/etc. _______ (goal of story and try to add the obstacles here) to/so/in order to ________ (stakes) after/when ______ (the inciting incident/event that sets the plot in motion).

Loglines are one or two sentences. A one-sentence logline sounds better, and it takes less time for a producer, director, etc. to read it. Try to keep your logline to 35 words or less. Long loglines can make producers, directors, etc. pass on a project.

Avoid using “must” in loglines. “Must” usually means the protagonist is forced to do whatever they need to do in the story instead of doing it willingly. You might need to use “must” in a logline though, like when the protagonist is forced by another character to do something. Using “must” to choose between two options is fine.

Names in loglines are usually for biopics, well-known stories, and franchises (like Mission: Impossible).

Sometimes I put the location and date that the story takes place in instead of the inciting incident if it’s a Period Piece script.

All stories don’t follow this logline template. Biopics, documentaries, and Experimental scripts might not follow the template. The series logline for a TV show can follow this template, but the pilot logline and episode loglines for the show might not. And I think even though Small Town Guy is a memoir-driven dramedy told as a serialized anthology, the template can help tightened up your logline.

Loreen Hackett

Thank you!

Maurice Vaughan

You're welcome, Loreen Hackett. I'm looking forward to watching this!

Loreen Hackett

Maurice Vaughan

After he's forced to leave the only home he’s ever loved, a sentimental but sharp-witted small-town kid struggles to hold onto his past by revisiting the memories that shaped him—only to discover that distance may be the reason they’ve lasted.

Maurice Vaughan

I think that's better, Loreen Hackett! Is there any outside conflict or obstacles in the series you could add to the logline? If not, solid logline.

Loreen Hackett

Maurice Vaughan Thanks for the great direction—and for passing along some wisdom!

Maurice Vaughan

You're welcome, Loreen Hackett.

Abdusamad Shafiev

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Nate Rymer

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Tasha Lewis

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