THE STAGE 32 LOGLINES

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UNVEIL

UNVEIL
By Daniel Doble

GENRE: Romance, Comedy
LOGLINE:

With only days before her arranges wedding, an obedient Arab bride-to-be begins to unravel when a bathhouse visit with her lifelong barefoot best friend suddenly awakens unexpected feelings, forcing her to choose between the life she’s been raised for and the love she never saw coming.

SYNOPSIS:

ACT ONE

Sara Salme, a poised and obedient Arab woman, is just days away from her arranged marriage in sunny Key Biscayne, Florida. But beneath the veil of tradition, something is beginning to crack. Her longtime best friend Aisha—a barefoot, loud-mouthed force of nature—arrives just in time to stir the air. During a hammam visit arranged by Sara’s mother as a cleansing ritual, Sara sees Aisha fully—naked, unbothered, radiant—and something ignites. Suddenly, Sara’s mirror is lying to her. Her brushstrokes feel like penance. And Yousuf, her mild-mannered fiancé, can’t stop staring at her nose. When the veil finally lifts between Sara and Aisha, their years of platonic closeness are exposed for what they really were: a love story, waiting for permission.

ACT TWO

Sara confesses her feelings—and is rejected, then pitied, then ignored. But the damage is done. She breaks off the engagement, returns the dowry, and comes out to her parents, who react with stunned silence... and then, slowly, unconditional love. Meanwhile, Aisha finds herself homeless after her father kicks her out. She takes refuge at Sara’s house, and the two women begin to orbit again, this time raw and honest. A covert “heist” back into Aisha’s childhood home leads to the most devastating moment of all: her mother, Amara, sees her… and turns away. But Sara is there to catch her. And this time, Aisha doesn’t run. What begins with mango popsicles ends in the softest kiss two best friends have ever shared. When Aisha proposes, in a whisper and a diamond, Sara says yes—through tears and laughter and disbelief.

ACT THREE

Their families collide in quiet celebration. The dining table expands. Sabir offers his blessing. Salma insists on no sex until the wedding (which goes about as well as expected). But this is no fairytale—until the final scene. At the Fontainebleau Hotel, Sara and Aisha walk down the aisle together, both veiled, both barefoot. They unveil one another in the center of the aisle, claiming each other fully, freely. And in the back row, Amara appears at last—alone, in sunglasses, nodding once. Aisha’s eyes well. Her fingers tighten. She doesn’t stop walking. The officiant begins to speak—but we don’t hear it. Because the vows were already spoken in every step they took. The final image: four bare feet, two clasped hands, no veil between them. Just light.

Marcos Fizzotti

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