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THE PERFECT MATCH (BASED ON A TRUE STORY)

THE PERFECT MATCH (BASED ON A TRUE STORY)
By Krystyna Artyuh

GENRE: Romance, Drama
LOGLINE:

A single mother who gives endlessly but can't accept a thing finally lets herself be loved by a con artist who chose her for that exact flaw.

SYNOPSIS:

SARAH runs a bar and raises two sons alone. All her life, she has only given to a freeloading ex, an aging mother, and a friend who never pays her back, but she can't accept anything in return, because to her every gift is a debt she'll have to repay. She keeps her savings as cash hidden at home, dreaming of leasing the bar she fell in love with at sixteen, before the kids, the university she never got to, the marriage that failed.

NOAH is a con artist who reads lonely, generous women like open books, and Sarah is perfect: alone, giving, with money. He offers her exactly what she has spent her life refusing: attention, protection, a man her sons adore, a family. He gives her a designer bag, and when she panics that she could never repay him, he tells her, "You've already paid." Then he moves in, finds the money, takes all of it, and disappears. She can't even go to the police - the cash was off the books.

What follows is worse than the theft. Sarah half-knows the truth at once and can't bear to believe it - she searches his things, finds the proof, and puts it back. She turns on the man who tries to warn her and clings to the one who robbed her, pushing away everyone who genuinely cares. Only her mother gives without asking anything in return, funding Sarah's escape while calling it an escape to her face. For the first time, Sarah accepts a gift that frees her instead of owning her, and leaves for a smaller, honest version of her dream. In the end, in Noah's empty apartment, she finds his planning board and a single line - "the only priority is me", and understands what she was to the man she let in.

Marcos Fizzotti

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Michael Dzurak

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Chuck Anderson

I like this logline

Robyn Henderson

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Anthony LaRose

The synopsis is much clearer than the logline, but it highlights an important issue: the logline is trying to make this sound like a tragic love/con story, but it strikes me that the actual story is more of a psychological character drama about self-worth, denial, and accepting help.

The synopsis is the real spine. My thought:

Sarah gives to everyone, trusts a man who weaponizes her need to be loved, loses the money tied to her dream, then finally learns to accept a gift that frees her rather than traps her.

Just my 2 cents.

Krystyna Artyuh

Thank you, Anthony LaRose

Marina Albert

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Ismael Camargo

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