Probably the favorite objection to the idea of an active dramatic structure is a writer's creative desire to build active characterization through catharsis. Let's not assume that a writer's ideas require a passive approach to the structure. Let's work out how to get there without asking the actor to sell a character to the audience.
The reluctant protagonist | Tennyson Stead
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WRITING A FEATURE - Lesson 3
In this third installment in our 5 week course on writing your feature, Tennyson E. Stead will talk you through the work of writing the first half of your second act!
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