
How You Can Build a Film Package For Little to No Budget

Summary

Yes, you can build a complete development package to attract investors with little (or even no) budget. We are going to show you how.
Plus! Receive 5 downloads to help you put together your film development package!
PLEASE NOTE: Although this exclusive Stage 32 class is no longer live and the teacher is not available on email, we highly encourage you to do any assignments to get the most out of the educational experience.
There is a misconception that you need millions of dollars in order to move your independent feature film forward. This isn't true. If you have access to a computer, internet and passion, YOU can make your project attractive to high-net-worth individuals.
If you have limited funds, we will show you the best places to spend money to yield results. It may seem daunting to build a package with little or no budget but we are going to break it down, step by step, and explain in detail how to build an enticing package with things you can do for FREE, under $150, under $500 and beyond.
Your Stage 32 Educator Michelle Alexandria has over 20 years working in sales and distribution. She has personally worked on 25 feature films with budgets $6MM and under. Michelle knows what gets the attention of both financiers and distributors. In this class she will share what you can do regardless of a small or non existent budget to create an enticing package that gets your project noticed.
You will walk away from this exclusive Stage 32 on-demand class knowing how to create a development package, no matter your budget, that gets your project off the ground!
Praise for Michelle's Stage 32 Teaching
"Clear, concise, and brilliant." -- Mario D.
"I have a deck for my film. It's going in the garbage. I will be starting over tomorrow with this wealth of information flowing in my head. Remarkable job, Michelle!" -- Phil M.

What You'll Learn
Session 1 – Things you can do for FREE towards developing your film
In the first session we will discuss steps, resources, and actions you can take towards developing your project without spending any money. It is common to have an idea, but many don’t know what to do next. In this class you will learn several different ways to take action today without money and get a little closer to having a viable package that attracts investors to get you closer to making your film a reality. No matter what stage your project is in, you can add to and build your package to make it more attractive.
Session 2 – Things you can do for under $150 towards developing your film
In the second session we will continue from our initial steps and begin adding to your film package with options that cost $150 or less. Since development money is not often available to indie filmmakers, here we will discuss several options and resources you can obtain for small dollar amounts while building your film package making it even more attractive to investors, cast, or agencies.
Session 3 - Things you can do for under $500 towards developing your film
In the third session we will continue from our initial steps and start adding to your film package with options that cost $500 or less. Now you will be at a stage to present your package with confidence and will be able to have conversations with movers and shakers.
Session 4 – Things you can do for over $500 (but still reasonable) towards developing your film
In the final session we will continue from our prior sessions and now really add the bigger elements that will cost more depending on the project yet will make your film package viable, attractive, and inviting where investors and cast start to seek your project out. When we say more though, we are still talking indie budgets and creative ways to cut cost without cutting quality!
PLEASE NOTE: Although this exclusive Stage 32 class is no longer live and the teacher is not available on email, we highly encourage you to do any assignments to get the most out of the educational experience.
Who Should Attend
Directors (Advanced, Intermediate, Beginner) interested in building a film package on a low budget.
Writers (Advanced, Intermediate, Beginner) interested in building a film package on a low budget.
Producers interested in building a film package on a low budget.
Actors interested in building a film package on a low budget.
Executive

Michelle Alexandria is a Producer and Executive Producer at Light Year Pictures, having produced, financed, and distributed numerous feature films for over 20 years in global film markets. She has been Head of Int Sales and Acquisitions at reputable companies over the years selling feature films worldwide.
A member of the Producers Guild of America (PGA), Michelle is an active presence at major international markets including Cannes, Berlin, AFM, MIP, and Ventana Sur, working directly with financiers, distributors, and global partners.
Michelle recently filmed in Rome on the high-profile feature Maserati: The Brothers, starring Al Pacino, Anthony Hopkins, Jessica Alba, Andy Garcia, and Michele Morrone, directed by Academy Award® winner Bobby Moresco (CRASH – BEST PICTURE).
She is currently the lead producer, alongside partner Tane McClure, on the family true story feature Ethan Almighty – Ethan’s Law, starring Selma Blair (LEGALLY BLONDE, HELLBOY), Sean Patrick Flannery (THE BOONDOCK SAINTS, NEFARIOUS), and Trevor Donovan (REAGAN, DANCING WITH THE STARS).
Michelle also recently filmed in Tuscany, Italy on the character driven drama Before We Leave Tuscany, starring Lili Bordán (BOOK CLUB, THE NUN) which has since secured distribution.
Throughout her producing career, Michelle has worked with notable talent including Jaime King (HART OF DIXIE), Frank Whaley (PULP FICTION), Chase Coleman (THE CW’S THE ORIGINALS), Denise Richards (THE WORLD IS NOT ENOUGH), Jennifer Taylor & Kelly Stables (TWO AND A HALF MEN), and Priscilla Barnes (JANE THE VIRGIN, THREE’S COMPANY).
Internationally, Michelle works closely with producing and financing partners across Germany, the United Kingdom, Australia, France, and Italy, maintaining strong cross border relationships that support global packaging and distribution strategy.
In addition to hands on producing, Michelle consults with independent filmmakers on talent packaging, navigating international film markets, financing structure, and positioning projects for successful distribution.
Michelle also serves on the advisory board of the Burbank International Film Festival (BIFF) and continues to champion emerging filmmakers through industry panels and market mentorship.