How TV Writers Actually Get Staffed (And Why Most Don’t)
On Demand

How TV Writers Actually Get Staffed (And Why Most Don’t)

Taught by Myra Model
$49.00
Myra Model
Taught by
Myra Model
Manager and Executive Producer at Myra Model Management

Summary

You're Not Getting Staffed. Here's the Brutal Truth - and the Fix.

A former CBS Vice President and top literary manager who has launched writers onto Homeland, The Good Doctor, and Supergirl reveals what's actually keeping you out of the writer's room - and exactly what to do about it.

You will receive a Staffing Checklist handout to help you!


PLEASE NOTE: This exclusive Stage 32 webinar is now available to watch on-demand and no longer live.

You've written the scripts. You're putting in the work. Maybe you've even had a few meetings.

But you're still not staffed.

Here's what nobody tells you: most talented writers aren't rejected because their writing isn't good enough. They're rejected because they don't understand how the game is actually played. In today's market, a single show can receive 500+ submissions. The writers who get the job aren't always the best writers in the pile - they're the ones who understood the system.

That system is what this webinar is about.

Myra Model spent years as a Director and then Vice President at CBS Entertainment, overseeing more than 40 television projects. Today she runs Myra Model Management, where she has personally launched the careers of writers now staffed on HOMELAND, THE GOOD DOCTOR, SUPERGIRL, THE SUMMER I TURNED PRETTY, and more - including Sundance and Humanitas Prize winners. She is currently an Executive Producer on SUNNY NIGHTS, starring Will Forte and D'Arcy Carden.

She knows exactly who gets hired and why. More importantly, she knows the specific, fixable mistakes that keep talented writers stuck on the outside.

In this exclusive Stage 32 webinar, Myra is pulling back the curtain completely - sharing the insider staffing intelligence she uses every day to position her own clients for success. You'll walk away knowing precisely how to present yourself, your samples, and your voice so that producers, executives, and showrunners take notice.

This is the conversation that usually happens with insiders. You can get it now through Stage 32.

PLUS! You will receive:

  • Myra's exclusive Staffing Checklist - a practical, take-action handout you can start using immediately.




What You'll Learn

The TV Staffing Landscape

  • How the current market has changed.

  • Why competition is tougher than ever.

  • What staffing volume looks like today.

  • Why standing out is critical.

Writing Samples That Get Attention – What Producers want to see

  • Your sample is your calling card.

  • Writing from an authentic voice.

  • Being original and bold – hook the reader in the first 20 pages. 

  • The propulsive script 

  • Building a world

Diversifying Your Samples

  • Why multiple samples matter.

  • Matching samples to the opportunity.

  • Building range in your portfolio.

  • Tailoring your material strategically.

Using Your Life Experience

  • Leveraging personal background.

  • Turning expertise into opportunity.

  • Making your perspective marketable.

  • Standing out through lived experience.

Building Industry Relationships

  • Why networking matters.

  • How referrals can get you to the top of the pile

  • How to meet the writers whose referrals matter.

  • The role of the writer’s assistant.

Writer’s Groups & Feedback

  • Why Writer’s Groups matter.

  • Using the notes process to elevate your work.

  • Always be developing and generating material.

  • Why building community with fellow writers matters.

Landing the Showrunner Meeting

  • Why the meeting matters

  • Know your superpower and leverage that in the room

  • Show your value 

  • Be prepared, have ideas

  • Being a writer’s room ‘fit.

Q and A with Myra Model

 

Who Should Attend

  • Writers who want to break into a television writer’s room but don’t know how to stand out
  • Emerging and mid-level TV writers looking to better position themselves for staffing opportunities
  • Screenwriters who have strong samples but aren’t getting reads, meetings, or traction
  • Writers who want to understand what producers, executives, and showrunners are actually looking for
  • Creatives looking to build a strategic and diverse portfolio of writing samples
  • Writers interested in learning how to leverage their personal voice and life experience to stand out
  • Anyone looking to build meaningful industry relationships and secure referrals
  • Writers preparing for or aiming to land showrunner meetings and staff positions
  • Writers’ assistants, support staff, or anyone working adjacent to the writer’s room who want to move up
  • Writers who want a clearer, more actionable approach to navigating today’s TV staffing landscape

Executive

Myra Model
Myra Model
Manager and Executive Producer at Myra Model Management

Myra Model is the principal and creative head of Myra Model Management, a boutique management company that identifies, curates, and develops premium writing talent and bold emerging voices across television, film, and new media. She is currently an Executive Producer on SUNNY NIGHTS, an eight-episode comic-drama written by Nick Keetch and Ty Freer, starring Will Forte and D'Arcy Carden, for Stan Australia with Jungle Entertainment and Echo Lake.

Myra has been a trailblazer in launching the television careers of Sundance and Humanitas prize winners and playwrights. They include Ellen Fairey (American Classic), Marisa Wegrzyn (AMAZON'S GOLIATH), Caitlin Parrish (CBS's SUPERGIRL), Jeremy Nielsen, Connie O'Donahue, and Edith Freni. She also represents and has developed talent including Nick Keetch, Adam Scott Weissman (THE GOOD DOCTOR), Rosie Kaller, Nick Baker (HOMELAND), Cami Delavigne (AMERICAN GIGOLO), Deborah Swisher (THE SUMMER I TURNED PRETTY), and Humanitas New Voices winners Josh Corey and Brian Kratz (WELCOME TO FLATCH).

Myra brings to her thriving management business years of experience as a broadcast programming executive and producer. She previously served as Director and then Vice President at CBS Entertainment, supervising movies and limited series programming and providing creative direction on more than 40 television events. Her credits at CBS include Mario Puzo's THE LAST DON, BLONDE, AMERICAN TRAGEDY, IN COLD BLOOD, GLEASON, RUBY RIDGE, ALEX HALEY'S MAMA FLORA'S FAMILY, and the adaptation of the acclaimed BBC mini-series RECKLESS.

Earlier in her career, Myra was a broadcast producer for Emmy-winning news and entertainment shows in Boston and was recruited by Telepictures Productions to help launch unscripted shows in Los Angeles. She was also a Co-Producer on Blind Curve, a Cannes Film Festival International Critics Week selection.

Credits

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